Ündemir Optik

ÜNDERMİR OPTİK

synonymous with ic! berlin

Silmo Istanbul, which was held for the tenth time this year, has grown very professionally, innovatively and in step with the times. We are very happy to be a part of it.

Hello Ms. Gülçin & Ms. Ayşenur… Could you introduce yourself to our readers and tell us about how you decided to enter the optical sector?
Hello. I am Gülçin Ündemir, I graduated from Istanbul University, Faculty of Economics and my first introduction to the sector was when I applied to ic! berlin’s job advertisement during my higher education in Germany. I got a part-time job at the company during my studies and when I decided to return to Turkey, the company offered me a job. In 2014, after 6 months of preparation, we opened the Turkish office of the German company and until 2020, we established our sales network in Turkey as a limited liability company with foreign capital and introduced the ic! berlin brand to Turkish Opticians and end consumers. Despite the difficult economic and political atmosphere of the country, we have achieved success with a gradually increasing sales curve and the support of our dear customers who trust us and our product.
With which aims and objectives did you decide to establish your company?
Together with my sister Ayşenur Ündemir, we established our own company Ündemir Optik in 2021 and continued our activities as the distributor of the brand from where we left off. There was no major change for us because we were already a very independent office as the German company’s representatives in Turkey. All the responsibility was on us and the management belonged to us. So there were no changes during the transition period except for some official arrangements and applications. We quickly decided to establish the company upon the suggestion of Germany because our relationship with the brand for 12 years and our increasing sales graph was enough to motivate us. We spent a lot of effort to introduce the brand in our country and achieve success, and we achieved our goal. Moreover, since we were now distributors, we had the freedom to incorporate new brands. However, thanks to our belief in the brand, we decided that it would be better to spend maximum effort on a single brand during the transition period. After three years, we have signed agreements with new brands and we are ready to expand our product portfolio with new, high-end European brands that fit our vision and working principles.

As we all know, you have been the distributor of ic! berlin brand in Turkey for a long time. Could you give us detailed information about the brand?
Founded in Germany in 1996, ic! berlin is the inventor of the screwless temple system, as readers may know. The glasses are handmade in Berlin from flexible, screwless, impact-resistant, stainless German steel and other materials such as durable natural rubber and carbon. It is a lifestyle brand and even a pioneer among lifestyle brands. The eponymous city of Berlin is in its Dna. It’s not just a brand name. As someone who lived in Berlin for 3 years and spends certain times of the year there, I am a witness to how the brand parallels the design language of the city of Berlin. Berlin is a constantly evolving, transforming, multi-layered European metropolis and we can see all these qualities that make the city attractive in the ic! berlin brand. It has always been very enjoyable for me to watch the development and transformation of the brand. Because it has always grown for the better and forward-looking. From my point of view, the fact that Germans do not compromise on robustness and technology, which is also part of their culture, their design approach that always prioritizes function and quality, and the fact that they do not give up their own line while following the trends is a strategy worthy of appreciation.
You introduced ic! berlin’s 2024 collection at Silmo Istanbul Optical Fair. How was the feedback?
The feedback was extremely positive. The collection is always getting better and this is reflected in our sales. New alternative models have been added to some of our best-selling models. One of the advantages of my close relationship with the brand and the company and having worked under their roof for a long time is that I am in dialog from the Production Manager to the designers. In this way, my feedback on the needs of my market is taken into account. Some new models that were found successful only in our market were added to the collection and the results of this were the good reactions we received at the fair.

Could you share with us the main features of your brands, their interaction groups and their position in the sector?
We define ic! berlin as a technological design brand. It is a light, functional, durable, user-friendly product. The collection is extremely wide and has a very good distribution within itself. Thus, it appeals to a consumer group in the premium segment that can have different styles. There is a product group called Core Collection, which has timeless and classic designs; a product group with more innovative and extraordinary designs, a product group that is more on the pulse of fashion; a product group that includes our collaborations with Mercedes Benz and AMG, which includes our partnerships with famous designers and brands; a product group with engineering marvel designs that include different materials and innovations, such as our newly launched patented carboflex collection made of carbon. All these different product groups are united by one common point: superior quality and being from Berlin. Our brand primarily appeals to the end consumer who knows the answer to the question “What is good design?”, who is eager and open to learn even if they do not know the answer, and naturally to the optical stores that are curious, love their business and are open to development. We are eager to improve ourselves and contribute to expanding the vision of the sector. I think we have an idealistic attitude in this regard and we are glad that this is the case.
What is your strategy for expanding your distribution and sales network?
We participate in national and international fairs. These participations are effective in establishing the first contact with our new potential customers. We make store visits in most regions of Turkey. We take our customers who have been loving our brand for a certain period of time on a factory tour and let them get to know the story of the product more closely, and this is usually very effective and reflects positively on sales. Since this is a lifestyle product, the person selling the product needs to know it very well and, moreover, love it. For this reason, we do not have an overly expansionist sales policy. We have not suffered any damage from this policy so far. Telling the story of the brand and educating the staff is our favorite and the thing we emphasize the most. We are open and moderate to serve and support opticians all over Turkey who are open to this, who agree with us to adopt a common strategy, and who look at working with us as a cooperation.
Do you follow international fairs and what are your thoughts on this subject?
Of course we do, we participate in all fairs in Europe. We find it necessary and enjoyable to keep the pulse of the sector. Because I think these world-renowned fairs are very important for following global trends and creating business opportunities.
As an exhibitor, how would you evaluate the Silmo Istanbul Optical Fair, which was held for the 10th time with its new and larger service area?
Silmo Istanbul Optical Fair, organized for the tenth time this year, has shown a very professional, innovative and contemporary growth. Silmo Istanbul, continuing its journey on its own with its Parisian partners, has managed to prove its strength to the professionals of the sector. We are watching this growth and development story with love and pride.
Thank you very much for this valuable interview. Finally, could we learn your views on the evolution of our magazine 4 your eyes into digital publishing?
It is pleasing to see your magazine keeping up with the times and this inspires us. The news and interviews in the magazine are always up-to-date and prepared with great effort. We thank you very much for the devoted effort you provide to the sector.

February 2024

As Optik Marmaris

AS OPTİK MARMARİS

Visual Comfort & Aesthetics

Silmo Istanbul is an important event in terms of evaluating developments in the sector and establishing collaborations. It provides the opportunity to come together with professionals.

Hello Mr. Serhat. First of all, let’s get to know you a little bit and talk about your story of entering the sector…
Hello, I am Serhat Yelmen, born in 1984 in Izmit, I live in Marmaris and I am the founder of As Optik Marmaris store. I am a graduate of the Opticianry program and I have been working passionately in the opticianry sector for 22 years. My interest in this field dates back to 2002 when I started my apprenticeship. During my apprenticeship period, I had the opportunity to gain basic skills in the world of eyewear. In this process, I gained an awareness of the richness of the industry and how eyewear contributes to people’s quality of life. Opticianry has become not only a profession for me, but also a field where I improve people’s visual comfort and aesthetic understanding.
Could you tell us about the establishment of As Optik?
As Optik came to life in 2011 with my rich experience in the opticianry sector and the basic skills I gained from my apprenticeship period. I set out with an understanding that prioritizes customer satisfaction and focuses on the special needs of each customer. I had the chance to get to know the sector from the inside for a long time. By opening my own store in 2011, I aimed to offer solutions that meet both the aesthetic and functional needs of eyewear users. One of the most important elements that form the basis of As Optik is customer safety. I set out to not only sell eyeglasses to customers but also to offer quality solutions for their vision health. With these basic principles, As Optik continues to grow as a brand that offers personalized eyewear experiences and keeps customer satisfaction at the highest level.
How do you choose the optical and sunglasses brands you sell?
Our primary focus when choosing eyewear brands is quality. We consider technical features such as durability, visual appearance and UV protection in sunglasses. Design and fashionability are also important factors in meeting our customers’ expectations. After-sales support and warranty policies provided by our brands are also among the factors we consider to ensure customer satisfaction.

Designer brands are very popular in recent years. Do you also receive requests from your customers in this direction?
The demand for designer brands is increasing day by day. Our customers are interested in these brands because they like prominent designs, quality materials and a prestigious image. In order to respond to this demand, we allocate a large space in our store to the collections of various designer brands and ensure that our customers can easily access fashionable and quality products.
What are the after-sales services you provide to your customers? How do you think these services affect your future sales?
We pay special attention to after-sales services to maintain customer satisfaction. Warranty processes, repair facilities and consultancy services allow us to offer comprehensive support to make our customers’ eyewear experience hassle-free. The quality of these services positively impacts our future sales by increasing customer loyalty.
How do you inform your customers about changes and campaigns in your store?
We use various channels to inform our customers about the changes and campaigns organized in our stores. Email newsletters, social media platforms and in-store information materials are effective tools to inform our customers about innovations. In this way, we establish a strong communication with our customers and respond better to their expectations.
As a retailer, what are your views on the price competition between you and your colleagues?
We carefully analyze the price strategies of competitors in the sector and the services they offer to customers. This helps us understand the pricing strategies of other brands offering similar products and services and identify their competitive advantages. Price competition is important in the retail sector, but what matters most to us is the value we provide to customers. When quality products, reliable service and affordable prices are combined, our customers are satisfied. By achieving this balance, we remain competitive and strengthen customer loyalty. We hope that all our colleagues in the market will provide fair and competitive pricing and bring our sector to the level it deserves.

Is the sales and training information provided within the sector sufficient? Do you organize training programs for your store employees?
We attach importance to in-sector trainings and sales briefings in order to keep the level of knowledge and skills of our staff constantly updated. These trainings are critical in terms of providing the necessary knowledge and skills to effectively introduce new collections, give correct answers to technical questions and increase customer satisfaction. We also ensure that our staff maintain their professionalism by organizing regular training programs on customer relations and communication.
What do you think about the rates and awareness of eyeglass use in Turkey? What can be done to increase eyeglass use and who has a role to play?
Increasing eyeglass use requires the collaboration of many stakeholders and requires a combination of various strategies to create healthy eye habits across society. Health organizations, optical companies and government agencies can conduct awareness-raising campaigns in schools, online and on other visual platforms. Retail stores can organize discounts and campaigns for eyeglass purchases during certain periods and on special occasions. In collaboration with health professionals, eye health specialists can conduct regular eye examinations to determine the need for eyeglasses. Optical brands, the fashion industry and marketing teams can be pioneers in making eyewear fashionable and popular among younger age groups. Non-governmental organizations, health institutions and government-sponsored programs can be effective in this issue by organizing educational programs to raise family and community awareness, contributing to the use of eyeglasses to become a general family habit.
Do you follow international optical fairs and sectoral developments abroad?
We closely follow international optical fairs and sectoral developments. These fairs are important platforms to see innovations, new technologies and fashion in the sector. By integrating this information into our business, we aim to always offer our customers the most up-to-date and trendy products.
How would you evaluate the 10th Silmo Istanbul Optical Fair with its new and larger service area?
Silmo Istanbul Optical Fair is an important event in terms of evaluating the developments in the sector and establishing collaborations. The fair provides the opportunity to come together with other professionals in the sector and create opportunities for cooperation. Such fairs offer us an important perspective to understand the developments in the sector and customer demands. For this reason, I hope that Silmo Istanbul Optical Fair, which is held 10th time this year, will be better than the year before every year.
Thank you very much for this valuable interview. Finally, could you give us your comments on the transition of our magazine 4 your eyes to digital publishing?
Digital publishing is a great tool to keep up with developments in the industry and to provide customized content for customers. I think 4 your eyes has increased its readership with digital publishing and has become more effective in the sector by bringing the advantages of wide access.

 

 

February 2024

Hug Spectacles

New Touch to Luxury

The luxury German brand Hug Spectacles is considered one of the pioneers of understated elegance thanks to its rare ability to reduce aesthetics to the essentials.

German luxury eyewear brand Hug Spectacles applies timeless design concepts while paying great attention to the use of sustainable materials and raw materials. Its minimalist frames, far from popular lines and exaggeration, reflect the attention to detail and passion. We present an interview with Thomas Hobmaier, one of Hug’s Co-Founders, on what is curious about the brand.

Hug was started by yourself along with Frederic Utz and Jochen Gutbrod—three friends with a lot of history in the eyewear world. What made you want to start your own glasses company?
Fred and I had a store together for ten years—Steingasse 14 in Heidelberg. Whenever we selected glasses for the store, it was usually the case that we grabbed the same glasses at the same time—we noticed we had a very similar aesthetic sensibility, always quickly deciding on the same models and colours. Fred had said for years that we should finally make our own glasses, so that we could finally do everything the way we liked. After we got Jochen hooked we had all the skills on board. We were complete—design, brand builder and silverback—everyone wanted to build the same kind of product.
How do you three split what you do at Hug? What’s your day-to-day role?
Fred mainly takes care of the design. He also takes care of projects such as the look of our social media presence. Jochen realises our products—he takes care of the complete creation, procurement and distribution of all components and the correspondence with the production until the finished product is in our warehouse. He also has the greatest expertise in building eyewear, especially when it comes to technical details. I take care of brand building and sales. When it comes to our designs, my soft spot is definitely in the selection of colours. Every design is an interaction and we always finalise everything together. Starting from the design, we refine and adjust every angle and detail until we hit our result. Likewise, colour selection and deciding whether to add silver or gold attachments to accentuate the right style of eyewear is a collaborative process. Everyone has their own priorities, which are reflected in the individual decisions.

Your frames have a distinct timeless quality to them—where do you look for inspiration?
Inspiration in this sense is not quite necessary, because we all want to implement exactly what suits us. Logically, this looks different one year than the next, because you are constantly evolving and are influenced by everything that happens to you. If it doesn’t come out of you without you having to put something together in a big way, it can’t become authentic. In contrast, we are convinced that if you implement what you think is cool at all times, it will automatically always evolve and remain authentic, and thus independent and exciting.
From Robert Johnson to Gladys Bentley, each frame takes its name from a blues legend. Can you tell us more about how these blues pioneers influence the brand?
Fred plays guitar himself and loves this old blues sound and he listened to his old records a lot whilst designing the first collection. In the beginning, these were just working titles for the different models, but after we had Fred’s acetate guitar pick on the table we thought it was a nice shape for a rivet. Also, we all love music—it immediately conveys an emotion, and the blues was the basis for a lot of different styles of music, so it fit together pretty well with us creating our first collection. And last but not least, having this blues base means we can create other beautiful music themes and collections.
All your glasses are made in Germany. Is that another thing that’s crucial to the brand?
We need the proximity to production and the quality to get the result we want. We know of no one who can work with comparable precision and produce such beautiful surfaces.
Glasses are a very specific item—and one pair that might work for one person, might not work for another. How do you guys go about designing each pair? Do you start with a face in mind?
No, we always have a style in mind that we want to implement. This then also tells us whether it works as a large or small, feminine or masculine or unisex variant. Of course, we have shapes that work very well in several sizes. Otherwise, we simply pay attention to a nice balance within the collection.
What next for Hug? Have you got any new processes or ideas you’re working on at the minute you can talk about?
We have a lot of ideas and new projects in the back of our drawers that we really want to implement. But in order to do this consistently in our usual quality, it naturally takes time and we have learned to only talk about something concretely when we definitely know that it can be realised the way we want it. 

Source: Seen Journal

February 2024

Soho Optik

SOHO OPTİK

Tecnology and Fashion in One

“I think fairs like Silmo Istanbul are very important for following the developments in the sector and establishing new business contacts.”

Hello Mr. Barkın. First of all, could you introduce yourself a little and share your story of entering the optical industry?
Hello, I was born in Istanbul in 2002. I completed my primary and secondary education at Sev Private American College and high school education at Saint Joseph High School. I am currently studying Mechanical and Construction double major at Özyeğin University and Opticianry at Işık University. As someone who wants to start his own business since a young age, I have examined the sectors. I have determined that contact lenses, laser surgeries, intraocular lens surgeries and especially intraocular surgeries performed with smart lenses have seriously reduced the demand in the optical sector, that we are in the period of the most intensive use of our eyes in the history of humanity, that telescopic lenses, prismatic lenses, blue light blocking lenses used in front of computers have entered and will enter the application area much more with the advancement of technology, and that the need for sunglasses is increasing due to global warming. I entered this sector by combining my Mechanical Engineering and Optician skills, taking into account that I can make very qualified optical applications in this new period.
Could you tell us about the establishment phase of Soho Optik?
I received consultancy services from Özlem Arafal, one of the biggest doyen of this sector, for 1.5 years. Afterwards, we added Özlem Öz, who has tremendous experience in boutique retailing in the sector, to our staff and received consultancy from her for 8 months. After opening our store, we had the chance to add İskender İrdal, one of the other important names, to our team. With the creativity of this trio, which I see as the biggest chance of my life, we overcome the difficulties, adopting love and respect as the most important value, we are walking our way happily together and we aim to progress on much bigger roads together.
What are the most popular optical and sunglasses brands sold in your store?
Our collection consists of fashion brands as well as special brands that combine technology and fashion, which are frequently demanded by our customers, and designer brands that have been very popular in recent years. In this direction, the brands we sell the most in optics and sunglasses are designer brands such as Lunor, Tavat, Kador, Oliver Peoples, Lool and popular brands such as Serengeti, Etnia Barcelona, Prada, Miu Miu.

Do you have products from every segment in your store? How do you think having different product segments reflects on your sales?
We offer options for every taste and every style in different segments in our store. Our products are not just eyewear but fashion statements. Having different product segments allows us to increase our competitiveness in the sector, promise consumers a certain quality guarantee, create a loyal customer base and increase our sales volume. We are also trying to appeal to different customer groups by expanding our brand portfolio day by day. With this perspective, I believe that we are also contributing to the development of the national economy.
Street stores or being located in a shopping mall? What is your preference and what are the reasons?
I think the answer to this question depends on the area where the store is located. The choice should be made according to the shopping habits of the target audience in the region where you plan to open a store. We started by opening our first store on Bağdat Street, one of the most important streets of Istanbul. The stores opened on the street have a customer profile that they have been building for years. Stores opened in shopping centers, on the other hand, offer physical and social differences to the consumer and therefore the customer profile changes. In line with our growth targets, we plan to open branches in shopping malls in locations where our target audience is located.

As a retailer, what are your views on price competition between you and your colleagues?
The pressure of intense price competition in the markets is increasing due to increasingly similar products, increasingly difficult product and service differentiation and decreasing profit rates. This situation has led us to restructure our marketing. We are trying to use various methods and techniques to realize and sustain long-term customer loyalty and, in this context, customer loyalty. The competitive power of companies that know and anticipate the current and future needs of customers and implement management strategies such as product development and diversification to meet these needs very quickly and before anyone else will always be high. Our biggest goal is to increase the number of loyal customers. This is achieved by ensuring that the customer is satisfied with the service provided and leaves your company satisfied.
What do you think about the rate and awareness of eyeglass use in our country? What can be done to increase eyeglass use and who has a role to play?
I think that Turkish people do not have enough knowledge about eye health and eyeglass use and this situation needs to change. I think that the main factors preventing access to glasses are the insufficient number of ophthalmologists, opticians and opticianry establishments and the concentration of eye health services in big city centers. Especially in rural areas, services are difficult to reach. In my opinion, the development of the optical sector is directly linked to population characteristics, fashion, ease of access to glasses and the importance society attaches to eye health. The number of ophthalmologists, opticians and opticianry establishments is lower than in developed countries, but this number is increasing every year. This shows that it will be easier to access glasses in Turkey in the future.
How would you evaluate the 10th Silmo Istanbul Optical Fair with its new and larger service area?
I have been visiting Silmo Istanbul for two years now. I think that such fairs are very important for following the developments in the sector and establishing new business contacts. Silmo Istanbul Optical Fair is an international organization that supports the development of the optical sector and brings together suppliers, dealers and employees in this field. I believe that such events are important for the growth of the sector.
We are glad for this valuable interview. Finally, could we learn your comments about the transition of our magazine 4 your eyes to digital publishing?
4 your eyes’ transition to digital publishing will enable it to reach a much wider audience.  It will be much more easily accessible as the phenomenon of time and space will disappear. We wish your team continued success.

 

January 2024

Cutler and Gross

Quiet Luxury

Cutler and Gross, which is celebrating its 55th year in the world of premium eyewear with its iconic designs, continues to maintain its lasting legacy and grow rapidly.

Cutler and Gross combines timeless luxury with Italian craftsmanship to produce high-quality frames that are handmade in Cadore, Italy. The brand has gained a reputation for being fashion-forward and has been worn by a number of celebrities over the years. In the legendary early days, the partners Cutler and Gross had met each other at the optometry school in London’s Northampton Institute. It was the early 60s and the two were highly motivated to build an eyewear business together – a bold plan they would be able to make reality. Just two years later, the two joined forces and opened their first optical store in Knightsbridge, London. They sold handmade bespoke frames. Out of this optical shop grew their own eyewear brand, which launched in 1982 during Paris Fashion Week.
Celebrating its 55th anniversary this year, British premium eyewear brand Cutler and Gross continues to stand tall as a symbol of exceptional craftsmanship. With a rich archive of iconic designs dating back to 1971, Cutler and Gross represents the essence of quiet luxury and authenticity, crafted in their own factory in the Dolomites with meticulously supervised Italian production. We interview Jack Dooley, Sales Director and Product Leader at Cutler and Gross, about the brand’s enduring heritage and the driving forces behind its success.

Cutler and Gross celebrates its 55th anniversary in 2024. Given the legacy of exceptional craftsmanship that characterizes the brand, are you planning to honor this tradition during the upcoming celebration?
Of course – craftsmanship is the beating heart of the business; without our skilled artisans we would not be where we are today. We are passionate about communicating the craftsmanship story at every opportunity. From inception design, prototyping, production, to the final polish, there are so many steps to creating a piece of handmade eyewear – it can take anywhere from 9-12 months from start to finish. There’s true beauty in that.
Interestingly, the heart of your production beats in Italy. What role does that play in maintaining your high standards?
Because we own and operate our own factory and design studio in the Dolomites with over 70 employees, Italian manufacturing is truly at the center of the Cutler and Gross brand. We take care of every element of the design and manufacturing process in-house; from start to finish, the frames are handcrafted by expert craftsmen and women. In our factory, we only make products for Cutler and Gross, and the design studio is located on the top floor of the factory, much like the bridge on a ship, steering its course.

That’s a remarkable analogy.  How did Cutler and Gross develop this strategy?
We’ve always had very high standards, but a trip we took to a high-end Japanese factory in 2018 opened our eyes to some of the differences we could make in finishing to take our products to an even higher level. We saw the skill level of the people we already had in Italy, and how eager they were to push the standards of excellence. So, as a board, we set a goal to produce the highest quality acetate frames in Europe by 2023. It has been slow and steady progress, but with the help of our Creative Director Alessandro Marcer and General Manager Enrico Deppi in Italy, we have driven quality to unprecedented heights.
You’ve also managed to be a heritage brand while remaining relevant and modern…
The key to our success is our respect for our Dna and heritage, coupled with a creative need to improve and build on the beauty of what came before. We are heavily inspired and influenced by the shapes and silhouettes of an impressive 55 years of our own eyewear designs. There are over 5,000 Cutler and Gross styles in our extensive archive dating back to 1971, which is now housed in our design studio in Cadore, Italy.

Speaking of Dna, could you tell us more about the term “Quiet Luxury” which really describes Cutler and Gross very well?
Quiet luxury is the new buzzword for what we have been doing for over 50 years. Like a quality suit by Brunello Cucinelli or Loro Piana, our frames aren’t adorned with flashy emblems or external branding. We have a single logo in gold foil on the inside. We don’t need to show off, and our customers rarely feel the need to. The materials we use and the way we make them, creating a frame that fits beautifully and the tactile sense of quality, is what we consider most important.
Do you have any overarching principles that guide you to ensure that the Dna of the brand remains unchanged?
We have grown about 300% in 5 years. This success is linked to a few core values that we hold dear. Our design ethos is deeply rooted in the legacy of our founders, Tony Gross and Graham Cutler. Each new model undergoes a rigorous sign-off process to ensure it embodies the essence of a true Cutler and Gross frame. Authenticity is another fundamental principle we uphold, from using traditional techniques such as real riveted hinges and hand-finished frames, to drawing inspiration from real moments in time when our eyewear made its mark in the world of music, film and art. We avoid superficial trends. Another backbone of our brand is the dedicated people who have been part of our journey for decades, working alongside Tony Gross and Graham Cutler. They reinforce our integrity.

Looking to the future, how does Cutler and Gross plan to continue to grow and innovate while staying true to its heritage?
We have an aggressive growth strategy that includes both retail and wholesale. One of the most important elements of this growth strategy is to expand our product offerings to include more luxurious offerings such as titanium, retail-exclusive horn and other alternative fits.
What about retail and distribution?
We want to maintain and nurture our selective distribution model, selling only in our own boutiques and premium stores. We are always looking for opportunities to open new flagship stores in key cities around the world. We are also planning a complete renovation of all our existing retail stores. A key component will be the development of our bespoke offering, which harkens back to our origins and customizable lenses.
Are there any collaborations we should know about?
We have signed a five-year licensing agreement with luxury English jewelry manufacturer The Great Frog, which allows us to venture into the world of silver and gold eyewear. There are a few more collaborations in the pipeline over the next two years, which has always been part of our Dna, the cross-pollination with other design-led brands is a shot in the arm for creativity every season.

 

Source: Favrspecs

January 2024

PRM Mağazacılık

PRM MAĞAZACILIK

Young and Dynamic

Silmo Istanbul has become the locomotive of the Turkish optical sector in this ten-year development process and we are very happy and proud of this development as a company in the sector.

Hello Mr. Tankut, could you tell us a little bit about yourself and how you personally crossed paths with the optical industry?
Hello, I was born in Antakya in 1970. After completing my primary, secondary and high school education at Private Işık High School, I started my higher education at Istanbul Technical University, Faculty of Chemical Engineering. Since I was raised knowing that university education is necessary but not sufficient for business life, I started business life in the first year of my university education in order to gain experience in business life. After completing my chemical engineering career, I completed my second university by completing my Economics education, which I believe contributed a lot to my business life. Our paths crossed with my partner at a time when I felt it was time to bring a different perspective to the sector. My partner is also a graduate of Marmara University Fine Arts and has worked in senior management positions on design in various brands for years. We set out with a shared vision and the belief that we were ready to take on a mission.

Although you are one of the young companies, you are drawing a successful graphic with your vision. How and when did you decide to establish Prm Mağazacılık?
We established Prm Mağazacılık Hizmetleri Ticaret A.Ş. in 2010 with the aim of bringing different brands to the Turkish market. While establishing our company, our primary goal was to position the brands in the right place and with the right strategies while ensuring that the brands we brought from abroad could fill certain gaps in the domestic market. In this way, we have met many new brands and products and as a result of the efforts we have made with our experienced team and focus groups consisting of consumers to bring them to the Turkish market, Meller was the eyewear brand that introduced us to the optical sector as well as many clothing and accessories brands that we have brought to the Turkish market.

Let’s talk a little bit about your brands. Could you share with us the main features of your brands, their interaction groups and their position in the sector?
Meller is a very young and dynamic brand established in Barcelona, Spain in 2010. Our Meller brand started to find its place in the Turkish market as of 2018 and as of today, we can say that it is a well-known and sought-after brand. It is one of the fashion brands that use social media most effectively. It is a fast dynamic brand that is preferred by new generations and follows the fashion of the day very quickly. Meller offers both quality and affordable products to consumers with a wide range of models and colors. Freesbee, our other brand, is our second optical eyewear brand that we have brought after the success of Meller and is an American California brand. With the same goals, Freesbee is produced in 100 percent acetate with high quality and accessible prices. Although it entered the sector in 2022, it has become a highly acclaimed and popular brand. With our special agreement with U.S, we have decided to make Turkey a regional supply center and we have made an agreement to carry out sub-distributorships abroad, especially in Europe, Arab countries and Russia, which are in our close geography, through Turkey.

What is your priority when determining the collections of your brands? What inspires you while designing your products?
For the collection selections, we primarily follow international fairs and combine the trends of the season with our own vision and gustom and make choices in accordance with our own market. Of course, our collection and model selections are also guided by current customer interest and demands. We supplement them with at least four collections and color variants per season. Since Freesbee and Meller have a very wide product and collection structure, we have a design team that works very meticulously to bring the most up-to-date models together with consumers. In addition to closely following the trends in the relevant season, our design team also analyzes customer tastes and behaviors in detail and makes model and color choices accordingly.

What is your strategy for expanding your distribution and sales network?
When expanding our distribution and sales network, we are working on a very careful strategy that we have worked on beforehand. Our roadmap is determined before the brand enters the country. We take great care to make sure that brands meet their consumers at the right points of sale and in the right way, rather than being everywhere and on every corner. In this regard, we go a little out of the ordinary and first create the tastes and consumers of the brands. Then, we establish and develop long-term collaborations with sales points that are in line with the dynamics of the brands. Our aim is to be on the supply and promotion side of a long-term and winning business model rather than selling products. We work with only one point of sale in each city except for big cities. Our primary goal is to create demand for brands. In this direction, I can say that we use social media channels very actively.
As a company investing in the sector, what are your thoughts and expectations about the development of the sector?
Obviously, we think that the Turkish optical sector is still developing compared to abroad and has a long way to go. We think that the cumbersome retailers who are still stuck in the old methods should make more efforts to adapt to the development processes and the current new system retail. We think that companies and brands that can no longer interact with their end customers through social media management and communication will have much more difficulties. We foresee that it will be much more difficult for companies and brands that do not have a message to give to their consumers and are not accessible at any time to survive in the next five to ten years compared to the last five to ten years. We also think that the sector needs more innovative and dynamic young managers and labor force with a vision. In addition, we think that the government’s support and incentives for companies, especially in the areas of exports and digital transformation, will increase their contribution to the free growth of the Turkish optical and retail market, and thus the sector’s place in the market may become more important.
Do you follow international fairs and what are your thoughts on this subject?
We think that fairs are a very important building block in sectoral growth and that it is necessary to follow the right fairs accordingly. Of course, we follow all the important fairs as visitors and exhibitors and I think we get the returns. Silmo Paris carries the banner at the forefront in international fairs in this regard, and we follow it regularly with great appreciation as it opens our vision.
As an exhibitor, how would you evaluate Silmo Istanbul Optical Fair, which is being held for the 10th time with its new and larger service area?
After following Silmo Istanbul closely as a visitor since the first year it was held, we participated as an exhibitor for the first time this year after the pandemic that intervened. Frankly speaking, before exhibiting in Silmo Istanbul, we did not fully understand how effective the fair was. At Silmo Istanbul, the visitors reflected their trust and appreciation for the fair to us and our brands and we received very positive feedback. We were very pleased with the demands we received, especially in the face of the intense demand of foreign customers. We have started distributorship negotiations with many neighboring countries for Freesbee and we have concluded this process with some of them. Silmo Istanbul has become the locomotive of the Turkish optical sector in this ten-year development process and we are very happy and proud of this development as a company in the sector.
Thank you very much for this valuable interview. Finally, can we learn your views on the evolution of our magazine 4 your eyes into digital publishing?
Frankly speaking, we think that 4 your eyes magazine has filled the sectoral gap very well in the process of the shift of printed publications to digital. We are eagerly waiting for the new episode to be published every month. Endless thanks to you for your meticulous and diligent work.

January 2024

Mykita

Unique and Sophisticated

Choosing new materials and technologies, finding new structures and producing them in a unique way, with its own methods and identity, defines Mykita’s Dna.

Berlin-based Mykita, one of the world’s best independent eyewear brands, continues to unveil its unique and sophisticated collections without compromising its Dna. Mykita, which prepares every collection from design to production in its own kitchen, has crowned its 20th anniversary with the Silmo d’OR 2023 Responsible Company award. We interviewed Moritz Krueger, Ceo and Creative Director of Mykita, about this meaningful award and much more at the Silmo Istanbul Optical Fair held between November 23-26, 2023.
Hello Moritz Krueger, Mykita is 20 years old and one of the best independent brands in the world. What motivated you the most when you started your brand? When you look back, did you make all your dreams reality?
First of all, I take it as a compliment that you think we are one of the best independent brands in the world. Thank you very much. I also know that you have been following our development for a long time, which is really great. I think our motivation for the foundation was born out of a pure desire to create our own brand and to reveal our autonomy, to make our own decisions, to find an unconventional path in the world of eyewear. As for the question of have we realized our dreams and goals, I think you always have to keep dreaming and keep evolving in some way. So it’s a never-ending, never-ending thing. But we didn’t get to where we are now with a grand strategy and forward thinking like the next step, so I would say that Mykita’s development has been an organic journey. When our dreams came true, we had the chance to work with so many great people around the world and customers who share the same passion as us.

What would you say if we asked you to describe the Dna of Mykita?
Well, I would say we are a wild child in a way. So we want to find our own way instead of accepting somebody else. So I think the foundation of the company is really based on the fact that we are self-producing, and the fact that we are self-producing has always been maybe the biggest inspiration for us to develop further. I call it our kitchen where we do our own production, so new technologies, choosing new materials, finding new structures and constantly trying to really innovate and do things in our own way and in our own unique way with our own identity; that’s the Dna of Mykita. I think it’s very rare to have everything integrated under one roof. From the idea to the design to the production, I think we work in a really, really integrated way.
As a world-renowned eyewear designer, are your sources of inspiration constantly changing? What inspires you the most to design?
I think the reason why our inspirations vary is again, first of all, to understand what’s going on in our kitchen and to try to make sure that we’re constantly renewing our ingredients and finding more and more things that we can use for eyewear. And there is no such thing as a primary source of inspiration. Because yes, I have my inspirations, but you know, I have a great team and design team working with me. We all have our individual talents. When we design our eyewear, we try to look at the world, we try to see what is needed in each market. But of course from a more conceptual point of view we are trying to reach new aesthetics that are some of the more surprising ones, but it has to do with working with materials and trying to identify new options in production for us as well. So it’s really goes hand in hand.

Let’s talk about Mykita’s latest collection and the highlights of the models…
Obviously the two years of Covid were important. We tried to focus on ourselves and rebuilding the foundation of the organization, so that we could launch new products and collaborations again, so we created our last collection to celebrate what we have as Mykita, so looking at the other collections that we have presented over the decades from our first collection, we created a collection that has a real consistency with our code software and our Dna, without trying to find new ways of expression and aesthetics.
You crowned your 20th anniversary with the Silmo d’OR 2023 Responsible Company award. What are your thoughts on this and will your sustainability projects gain momentum in 2024?
Yes, absolutely. We were very excited when we heard that Silmo was giving an award for sustainability and Corporate Social Responsibility, because you know these issues have been very important for Mykita from the very beginning. We produce our own products, we source our own materials. It’s a continuous journey and we are constantly trying to optimize and improve things. That’s why it was incredible for us to receive this award in Paris. Because this award was not given to one product of Mykita, it was given to all our employees and all our partners in a much more holistic approach.

What are your favorite sunglasses and optical glasses in Mykita collections and why?
It is very difficult for me to answer this question, because I can say that I don’t have a single favorite. I can’t have a single favorite because for us, our portfolios are a little bit like a little family. There are so many different models and the one that I really like right now, or the one that I think is very, very cool, is a collaboration with a company based in Berlin. I think it’s a really desirable model. It has a very strong stance in its design and it stands out with its material. The material is an innovation of ours and we first introduced it to the market in 2009, so the product serves as an ideal example to really explain how we developed this material, how our processes have evolved. With our partner in Berlin we have reached a new aesthetic with this product, so it’s like a real celebration of Berlin at the same time.
Should we expect surprise collaborations, collections or openings from Mykita in the new year?
I have to say very clearly that you will see surprise developments from us. But unfortunately I can’t give details yet, but I can give you a big news, even if it’s not a collaboration or an opening. We are moving to a new building. We are really lucky to have found a new Mykita House in Berlin. The new building is in the center of the city and we will move in July next year. The new building is only 10 minutes on foot from where we are now. We think it is a really great location and we believe that we are taking the right step for our future. This move is really important for us because house has always been Mykita’s manifesto.

You are represented in Turkey through your distributorship. How would you evaluate this cooperation and Mykita’s position in the Turkish market?
First of all, we are very grateful and very lucky to have this great team in Turkey. We started our cooperation in 2008, they became our customers as wholesalers. Three years later they became our distributors. Since then we have been working really closely, we are together like a family. Every year of our cooperation we try to listen to each other better, to help and support each other. I can really feel the passion and commitment that the whole team brings here, it’s something very special to me and it’s also exciting to see how well the brands are represented with the independent, big presentation at Silmo Istanbul. When I came to Istanbul, we visited about 10 or 12 clients in their stores and we had a beautiful presentation and all the stores, the clients were very happy and very excited. Everybody was talking about the future, which I think is very important and they want to understand how we can be better partners and grow together. I think in the eyewear world, where everything is somehow more and more consolidated, it’s very important to have strong independent brands that have their own uniqueness and aesthetic. I think it’s also very important to work with the best opticians to really serve the end customers in the most ideal way.
We are very happy to have you with us at Silmo Istanbul Optical Fair. Finally, could we learn your evaluations about Silmo Istanbul, which celebrated its 10th anniversary?
We are also very happy to be here. As soon as we landed in Istanbul on the second day of the fair, we attended the magnificent night you organized at Çırağan Palace. We had a wonderful night with a great concept in that beautiful building that really smells of history. For this reason, we are celebrating our 10th anniversary. Moreover, we see that you hosted a really great organization at the Silmo Istanbul Optical Fair, which I attended for the first time. Maybe this success was not so clear to you when you first started the show with your team, but you continued to dream and believe. Moreover, it is really great that your geographical location connects Europe with the Middle East and the Far East. We can easily say that Silmo Istanbul has achieved a great success with its increasing number of visitors and exhibitors in its 10th year. Silmo Istanbul continues to grow and attract attention. We congratulate you.

December 2023

Adellens Optik

Adellens Optik

Breaking a New Ground

“Silmo Istanbul is a meeting point for us with friends. Every year it progresses by putting more and more on top with beautiful crowds. Especially in terms of both exhibitors and visitors, there is a serious increase in local and foreign visitors.”

Hello Mr. Cem, first of all, thank you for opening the doors of your factory to us and for your nice welcome. Adel Lens company made a big investment this year and started to work with the “Automatic Production” system. Could you inform us about this state-of-the-art production line and what it brings to the sector?
First of all, we are very happy and proud to be the first company to bring the fully automated production line to Turkey. The automatic line we saw in a few companies during our travels abroad always impressed us a lot and we believed that our country should definitely have this line. We are proud to have achieved this. After this investment, we were happy to receive a lot of support and congratulatory phone calls from our sector. This innovation will definitely have an impact on the future vision of the sector, because the trend in the world is no longer walking towards automation, it is almost running. All products will of course be made in an automated system. Delivery times will definitely be shorter, and the impact on quality will be at the highest level, completely independent of human beings and tied to the standard. The price increase will not be different from the realities of the sector.
How many brands do you have? What distinguishes your products from your competitors?
As Adel Lens, we have three brands. Among these, our Cortex brand is our main brand and a brand we have been using since our establishment. It includes single focus, bifocal and progressive product groups. Since we have to constantly update ourselves and our investment, we added our Oppo brand to our organization with the new software in 2019. Oppo also includes single focus and progressive. In 2020, we expanded our product range with the latest software we received. Our latest addition to our Adel Lens family is our Cyber Eye Progressive product. We strive to continuously improve ourselves and bring innovations that will add value to our production and products.

Do you produce lens in all indexes here?
I can easily say that our product range is extremely wide. We produce all indices 1.5-1.56-1.57-1.61-1.61-1.67-1.74 under three different brands of single focus-bifocal (S2-Eline-Aphak Bifocal) – progressive lenses in our production facilities in Istanbul. Twenty-five to thirty percent of our production is exported. From our own sales office in Bulgaria, which has been in operation for eight years, we have serious work with both the Bulgarian market and the Balkan countries. In addition, Azerbaijan, Kyrgyzstan and Kazakhstan are among the countries where we have dealerships. In addition to all these, I would like to point out that our main production site is in Iran. Our production facility in Iran produces both our own brand and the Indo brand. We are both the largest production facility in Iran and the leader in the sector.
What is your annual production capacity? How much do you aim to increase your capacity with the automated production system?
Our annual production capacity was two hundred and sixty thousand pairs. After we switched to a fully automated production system and started using the fully automated production line, we achieved a significant capacity increase of sixty percent and reached the level of producing four hundred fifteen thousand pairs annually.

Why should an optical store prefer Adel Lens Optik brands?
I can count quality, trust, speed, after-sales service, instant problem solving as the main reasons for optical stores to choose Adel Lens brands. Of course, as one of the most important elements, I can not leave out the existence of our regional managers in the Adel Lens family and our team working devotedly alongside them. Because each member of this team is now a real brand name in their own region. When the features I mentioned at the beginning are combined with this magnificent team, it becomes even easier to be the reason for preference.
As a company that has been exhibiting in Silmo Istanbul Optical Fair for many years, how would you interpret the contributions and development process of the fair? As a manufacturer company, what are your expectations from Silmo Istanbul Fair?
Silmo Istanbul Optical fairs are a meeting point for us with friends. Happily, thanks to the kindness of our optician friends, the fair is very crowded and beautiful every year. Especially with our dinner program on the evening of the third day, which we have made a tradition, we reinforce this beautiful meeting. Silmo Istanbul Optical Fair is progressing by putting more and more on it every year. There is a significant increase in both local and foreign exhibitors and visitors. We will continue to do whatever it takes for the fair of such a beautiful city to become even more international. Because this organization, this city really deserves it.

December 2023

Galaxy Optik

Galaxy Optik

Corporate and Qualified

Our momentum in the optical sector in terms of supply and service is improving every year. We were able to observe this change very clearly at this year’s Silmo Istanbul.

Hello Mr. Samet, could you tell us about yourself and your story of meeting the optical industry?
Hello, I had a childhood in trade. With my mother’s background in textile export and my father’s background in hotel management, I chose to pursue a career in retail professionally after my school life. Ninety percent of my retail career was in the establishment and management of luxury consumption and start-up operations. The optical sector started with brand establishment and management in one of the start-up and luxury retail brands for the same reason. Likewise, Galaxy Optik is the latest example.

Could you tell us about the vision and goals of Galaxy Optik?
The most important motto of our Galaxy Optik brand in vision and mission is sustainability and accessibility in the service we provide to our guests in our Galaxy Optik stores. By this, I mean that we will not only grow the demand, but also the supply. To give an example, we will not have the motto of not being able to meet the needs of our customers or making them wait in all services in the field of optics or a new or continuous product, on the contrary, we will be able to meet all demands quickly and sustainably. This stance is born from the fact that we have at least half a century of history and 40 partners behind our Galaxy Optik brand. As luxury consumption and accessibility, we aim to provide accessibility at all points and fast service comfort to our customers in products and services in our stores with our target of 40 stores all over Turkey in both short and medium term.

As Galaxy Optik, what are the most important features that distinguish you from other optical brands when entering the Turkish market?
We will create a local and national chain optics brand in Turkey in the Chain Stores operation due to the fact that we have both experience, supply and sector partners with fast growth potential behind our brand. This will give us the chance to provide fast and quality service for both sunglasses and optical needs in the Turkish market.

Unlike your competitors in the sector, what kind of strategy will you follow for the satisfaction of your potential customers?
In the Turkish conjuncture, customer demands are changing very fast and we are aware of this. We will be able to meet all customer demands completely and at all times by combining experience and trend with both our past experienced partners and our second generation background management that has developed within this experience.

What are the added values that the management pyramid of the Galaxy Optik brand will provide to both the sector and your customers?
We have established a fully professional and corporate infrastructure system from the formation of the corporate identity of the Galaxy Optik brand to the preparation of operational strategies, from personnel selection to personnel training, from the creation of background systems to follow-up, and most importantly, this structure we have created is based on customer satisfaction. This system will enable us to be fully institutionalized as the Galaxy Optik brand and to grow at this level of institutionalization and provide 100% satisfaction service to our customers.

 

Do you have products from every group in your stores?
Yes, we do. We have the motto of accessibility and sustainability in the corporate identity of our brand. Galaxy Optik stores have product bars and ranges that appeal to every age, budget and segment group, and our most important feature will be to always have the products that our customers demand or will demand in our stocks or to supply them quickly and deliver them to all points in Turkey.

What are the most popular optical and sunglasses brands sold in your stores?
I can say that Prada, Tom Ford and Vycoz brands are very popular in sunglasses. In optical glasses, Silhouette, Yves Saint Laurent and Cartier stand out among the brands we sell the most.

How do you choose the optical and sunglasses brands you sell?
First of all, reliability and recognition are the most important factors for us. The service we want to provide to the customer is both an accessory that suits their style and a quality that will prioritize their health. We choose our brands based on these two issues.

Designer brands are very popular in recent years. Do you also receive requests from your customers in this direction?
I can honestly say no. Galaxy Optik is generally followed by cult and fashion followers, but there is no guarantee that this demand will not come tomorrow. As a brand, we closely follow the current designer works.

What are your after sales services?
First of all, we have established the infrastructure of our brand with the corporate system in all steps from the establishment stage of our brand. Without opening our stores, we have established our infrastructure to control the stock, Customer Crm tracking, campaign plans and fictions, creation of customer segmentation data, healthy control of all Kpi data in our stores and then to use them effectively in customer service, and we have trained our friends who will use and manage these systems by including them in the team. Currently, we are able to meet all the demands of all our after-sales customers during their first or subsequent store visits, as we determine all their needs, from Warranty Coverage, product availability to customer habits, with the system we have established.

What role do you think the showcase layout and interior design of an optical store plays in sales? What did you pay attention to while preparing these elements in your new location?
The world conjuncture is now completely based on visuals. Social life, commercial life, etc. The more attention is paid to these visual themes, the more the sense of empathy with the customers is brought to the forefront and the visual sequences that will touch these emotions are prepared, the supply and demand will always provide an upward acceleration at the same equal value.

While we have brought these issues to the forefront, we have designed our brand color options and in-store positioning based on the slogan “Beauty in Simplicity”. We welcome our customers in our stores with elegance in simplicity, far from confusion.

How would you evaluate the 10th Silmo Istanbul Optical Fair, which is being held for the 10th time with its new and larger service area?
First of all, I would like to say that the development in our market makes us very happy. Our momentum in the optical sector at the point of supply and service is improving every year. We were able to observe this change very clearly at this year’s Silmo Istanbul Optical Fair. I consider the mutual increase in need and service and most importantly, the fact that we are more integrated into the foreign market every year as very positive, especially for our country’s trade.

Thank you very much for this valuable interview. Finally, could we learn your comments on the transition of our magazine 4 your eyes to digital publishing?
I think it is a very positive step for you to catch the time and trend. Information is spreading very fast in this period, and a contrary flow of information unfortunately gets old at the same speed and degenerates before reaching the necessary places and those concerned. Therefore, I am sure that it will carry your awareness and publishing brand even further. I wish success to your team.

December 2023

Hui Huang

Hui Huang

New and Extraordinary

“By exhibiting in Silmo Istanbul, we increased our chances of following the developments in the sector and gaining a competitive advantage.”

Hello Mr. Mertcan, could you tell us a little bit about yourself and how you personally crossed paths with the optical sector?
Hello, I was born Mertcan Özel in Istanbul in 1997. Our Özeller Saat optical store, founded by my father İsmail Özel in 1991, was our first intersection with the optical sector. I have been working in stores since I was little, both finishing my schooling and supporting my father in stores. I graduated from Istanbul University Mechanical Engineering in 2019 with a good degree. Our paths crossed with Hui Huang because we are an old and strong company in the optical industry. Hui Huang is a company that has been producing for different brands since 2015, and we started to produce our own brands with us. With this, we started to get a share in the domestic and foreign markets with our own brands. We produce style products that can keep up with different fashion outside the standard.
Although you are a young company, you are successful with your vision. How and when did you decide to establish Hui Huang?
Hui Huang was established in 2017, taking into account the developments in domestic production and the need for plastic frames in the optical industry. It has set itself the goal of being the face of Turkey opening to the world by realizing many firsts in the sector. The reason why we are different from the market is that we can also make different styles of model molds that will appeal to customers in our own mold shop. This is our most distinctive feature that distinguishes us from our competitors. If we decide to make a model, we have the ability to turn it into a product within 10 days. At this speed and with this quality, we do not know any competitors in Turkey. Since the competitor companies have their molds made in China, the best deadline to receive the sample, receive the mold and start production can be 3-4 months. Our aim is to maximize localization in the optical sector and to make products of top group brand quality.
Could you tell us about your production activities in your factory in Istanbul and the functioning of your facility?
We produce plastic optical frames and sunglasses for our own brands and our customers’ brands from TR-90 raw materials. We have varnished and unvarnished production methods. We produce standard TR-90 products without varnish. We also produce varnished products by using different painting techniques in upper group products. Apart from our own brands, we also have the ability to prepare collections for the brands of our domestic and foreign customers. We produce for many brands in Turkey and abroad with their own models and colors.

Let’s talk a little bit about your brands. Could you share with us the main features of your brands, their interaction groups and their position in the sector?
We currently offer services with our three brands. With Pourchet, one of our brands, we offer affordable, quality price performance product frames from standard TR-90. With our Imabari Kinsei brand, we offer products in the middle segment for men and women. Finally, we continue to serve with Louis Barton, our brand for men only.
What is your priority when determining the collections of your brands? What inspires you while designing your products?
Our point of inspiration is “extraordinary”. Acting with this motto, our company has the most different and creative collection in Turkey. With our self-colored injection glasses, which are the world’s first and only self-colored injection glasses, we plan to be the change-maker face of Turkey on international platforms. Understanding the needs and expectations of our customers becomes a priority in the design process. We strive to design comfortable and functional eyewear that suits the style of our customers. We follow the trends in the fashion world and try to offer our customers eyewear in line with the latest trends. The choice of material is an important factor in eyewear design. The quality of the materials can have an impact on the durability and comfort of the eyewear. Therefore, we are meticulous in the choice of materials. Colors can reflect the style and personality of the glasses. Therefore, we are careful in the choice of colors. Our sources of inspiration include the world of fashion, nature, art and architecture. Inspired by these sources, we strive to design unique and creative eyewear.

What is your strategy for expanding your distribution and sales network?
In addition to our existing market, we are planning to expand into new markets, so that we can reach more customers with our products. We conduct market research to discover new markets. We work with distributors to distribute our products in different regions. We use online sales channels to reach a wider audience with our products. These channels include e-commerce sites, social media platforms and online marketplaces. Finally, we use advertising to increase the visibility of our business.
As a company investing in the sector, what are your thoughts and expectations about the development of the sector?
The eyewear industry has shown rapid growth in recent years. According to a study by Grand View Research, the global eyewear market was valued at $169.9 billion in 2022 and is forecast to continue growing at a compound annual growth rate (CAGR) of 8.5% between 2023 and 2030. Factors behind this growth include changes in lifestyle, growing interest in luxury accessories, and eyewear manufacturers’ focus on developing attractive and affordable eyewear. Therefore, as an eyewear manufacturing company, we see a very bright future for the industry. In this context, we plan to increase our share in the sector by opening our company to new markets both through fairs and customer visits.
Do you follow international fairs and what are your thoughts on this subject?
Yes, we follow them very closely and we attach great importance to them. International fairs are important platforms for companies to promote their products and services on a global scale, find new customers, follow developments in the sector and establish business contacts. These fairs bring together industry professionals, offer cooperation opportunities and provide participants with up-to-date information on market trends. In addition, international fairs can help companies increase their competitive advantage and establish a presence in the global market.

As an exhibitor, how would you evaluate Silmo Istanbul Optical Fair, which will be held for the 10th time with its new and larger service area?
Silmo Istanbul Optical Fair is a very important platform for companies in the optical sector. When we participated for the first time, we had the opportunity to network with other companies in the sector, find new customers and introduce our products to a wide audience. By participating in Silmo Istanbul, we increased our chances of following the developments in the sector and gaining a competitive advantage.
Thank you very much for this valuable interview. Finally, could you tell us about the evolution of our magazine 4 your eyes to digital publishing?
We consider your magazine’s transition to digital publishing as a positive step in terms of reaching a wider readership and presenting content interactively. Digital platforms allow for a closer connection with readers by providing fast access, sharing and interaction opportunities. It is also important to offer a remarkable and user-friendly experience in digital compared to traditional print publishing. In this sense, we think that the digital evolution of 4 your eyes magazine will have very good results.

November 2023