Rubbing eyes too much creates risk

Any problem in eye health directly affects the quality of life.

Rubbing the eyes more than normal is one of the behaviors that negatively affect eye health. Experts warn that this action of people who rub their eyes too often can cause various disorders.
Keratocunus May Occur
People who rub their eyes a lot are in the risk group for keratoconus disease, which causes visual impairment. Starting between the ages of 15 and 25, the disease can be difficult to recognize in the early stages. In keratoconus disease, the transparent retina layer at the front of the eye tapers and becomes thinner. This tapering and thinning is progressive and causes gradual deterioration of vision. In terms of prevalence, it is found in one in 2 thousand people. Keratoconus, the exact cause of which is unknown, progresses until the age of 35-40. People with keratoconus usually have an allergic eye structure and have a history of constant eye rubbing since childhood. For this reason, it is necessary to be careful against eye rubbing that starts at an early age and care should be taken to have regular eye examinations.

January 2024

Soho Optik

SOHO OPTİK

Tecnology and Fashion in One

“I think fairs like Silmo Istanbul are very important for following the developments in the sector and establishing new business contacts.”

Hello Mr. Barkın. First of all, could you introduce yourself a little and share your story of entering the optical industry?
Hello, I was born in Istanbul in 2002. I completed my primary and secondary education at Sev Private American College and high school education at Saint Joseph High School. I am currently studying Mechanical and Construction double major at Özyeğin University and Opticianry at Işık University. As someone who wants to start his own business since a young age, I have examined the sectors. I have determined that contact lenses, laser surgeries, intraocular lens surgeries and especially intraocular surgeries performed with smart lenses have seriously reduced the demand in the optical sector, that we are in the period of the most intensive use of our eyes in the history of humanity, that telescopic lenses, prismatic lenses, blue light blocking lenses used in front of computers have entered and will enter the application area much more with the advancement of technology, and that the need for sunglasses is increasing due to global warming. I entered this sector by combining my Mechanical Engineering and Optician skills, taking into account that I can make very qualified optical applications in this new period.
Could you tell us about the establishment phase of Soho Optik?
I received consultancy services from Özlem Arafal, one of the biggest doyen of this sector, for 1.5 years. Afterwards, we added Özlem Öz, who has tremendous experience in boutique retailing in the sector, to our staff and received consultancy from her for 8 months. After opening our store, we had the chance to add İskender İrdal, one of the other important names, to our team. With the creativity of this trio, which I see as the biggest chance of my life, we overcome the difficulties, adopting love and respect as the most important value, we are walking our way happily together and we aim to progress on much bigger roads together.
What are the most popular optical and sunglasses brands sold in your store?
Our collection consists of fashion brands as well as special brands that combine technology and fashion, which are frequently demanded by our customers, and designer brands that have been very popular in recent years. In this direction, the brands we sell the most in optics and sunglasses are designer brands such as Lunor, Tavat, Kador, Oliver Peoples, Lool and popular brands such as Serengeti, Etnia Barcelona, Prada, Miu Miu.

Do you have products from every segment in your store? How do you think having different product segments reflects on your sales?
We offer options for every taste and every style in different segments in our store. Our products are not just eyewear but fashion statements. Having different product segments allows us to increase our competitiveness in the sector, promise consumers a certain quality guarantee, create a loyal customer base and increase our sales volume. We are also trying to appeal to different customer groups by expanding our brand portfolio day by day. With this perspective, I believe that we are also contributing to the development of the national economy.
Street stores or being located in a shopping mall? What is your preference and what are the reasons?
I think the answer to this question depends on the area where the store is located. The choice should be made according to the shopping habits of the target audience in the region where you plan to open a store. We started by opening our first store on Bağdat Street, one of the most important streets of Istanbul. The stores opened on the street have a customer profile that they have been building for years. Stores opened in shopping centers, on the other hand, offer physical and social differences to the consumer and therefore the customer profile changes. In line with our growth targets, we plan to open branches in shopping malls in locations where our target audience is located.

As a retailer, what are your views on price competition between you and your colleagues?
The pressure of intense price competition in the markets is increasing due to increasingly similar products, increasingly difficult product and service differentiation and decreasing profit rates. This situation has led us to restructure our marketing. We are trying to use various methods and techniques to realize and sustain long-term customer loyalty and, in this context, customer loyalty. The competitive power of companies that know and anticipate the current and future needs of customers and implement management strategies such as product development and diversification to meet these needs very quickly and before anyone else will always be high. Our biggest goal is to increase the number of loyal customers. This is achieved by ensuring that the customer is satisfied with the service provided and leaves your company satisfied.
What do you think about the rate and awareness of eyeglass use in our country? What can be done to increase eyeglass use and who has a role to play?
I think that Turkish people do not have enough knowledge about eye health and eyeglass use and this situation needs to change. I think that the main factors preventing access to glasses are the insufficient number of ophthalmologists, opticians and opticianry establishments and the concentration of eye health services in big city centers. Especially in rural areas, services are difficult to reach. In my opinion, the development of the optical sector is directly linked to population characteristics, fashion, ease of access to glasses and the importance society attaches to eye health. The number of ophthalmologists, opticians and opticianry establishments is lower than in developed countries, but this number is increasing every year. This shows that it will be easier to access glasses in Turkey in the future.
How would you evaluate the 10th Silmo Istanbul Optical Fair with its new and larger service area?
I have been visiting Silmo Istanbul for two years now. I think that such fairs are very important for following the developments in the sector and establishing new business contacts. Silmo Istanbul Optical Fair is an international organization that supports the development of the optical sector and brings together suppliers, dealers and employees in this field. I believe that such events are important for the growth of the sector.
We are glad for this valuable interview. Finally, could we learn your comments about the transition of our magazine 4 your eyes to digital publishing?
4 your eyes’ transition to digital publishing will enable it to reach a much wider audience.  It will be much more easily accessible as the phenomenon of time and space will disappear. We wish your team continued success.

 

January 2024

Cutler and Gross

Quiet Luxury

Cutler and Gross, which is celebrating its 55th year in the world of premium eyewear with its iconic designs, continues to maintain its lasting legacy and grow rapidly.

Cutler and Gross combines timeless luxury with Italian craftsmanship to produce high-quality frames that are handmade in Cadore, Italy. The brand has gained a reputation for being fashion-forward and has been worn by a number of celebrities over the years. In the legendary early days, the partners Cutler and Gross had met each other at the optometry school in London’s Northampton Institute. It was the early 60s and the two were highly motivated to build an eyewear business together – a bold plan they would be able to make reality. Just two years later, the two joined forces and opened their first optical store in Knightsbridge, London. They sold handmade bespoke frames. Out of this optical shop grew their own eyewear brand, which launched in 1982 during Paris Fashion Week.
Celebrating its 55th anniversary this year, British premium eyewear brand Cutler and Gross continues to stand tall as a symbol of exceptional craftsmanship. With a rich archive of iconic designs dating back to 1971, Cutler and Gross represents the essence of quiet luxury and authenticity, crafted in their own factory in the Dolomites with meticulously supervised Italian production. We interview Jack Dooley, Sales Director and Product Leader at Cutler and Gross, about the brand’s enduring heritage and the driving forces behind its success.

Cutler and Gross celebrates its 55th anniversary in 2024. Given the legacy of exceptional craftsmanship that characterizes the brand, are you planning to honor this tradition during the upcoming celebration?
Of course – craftsmanship is the beating heart of the business; without our skilled artisans we would not be where we are today. We are passionate about communicating the craftsmanship story at every opportunity. From inception design, prototyping, production, to the final polish, there are so many steps to creating a piece of handmade eyewear – it can take anywhere from 9-12 months from start to finish. There’s true beauty in that.
Interestingly, the heart of your production beats in Italy. What role does that play in maintaining your high standards?
Because we own and operate our own factory and design studio in the Dolomites with over 70 employees, Italian manufacturing is truly at the center of the Cutler and Gross brand. We take care of every element of the design and manufacturing process in-house; from start to finish, the frames are handcrafted by expert craftsmen and women. In our factory, we only make products for Cutler and Gross, and the design studio is located on the top floor of the factory, much like the bridge on a ship, steering its course.

That’s a remarkable analogy.  How did Cutler and Gross develop this strategy?
We’ve always had very high standards, but a trip we took to a high-end Japanese factory in 2018 opened our eyes to some of the differences we could make in finishing to take our products to an even higher level. We saw the skill level of the people we already had in Italy, and how eager they were to push the standards of excellence. So, as a board, we set a goal to produce the highest quality acetate frames in Europe by 2023. It has been slow and steady progress, but with the help of our Creative Director Alessandro Marcer and General Manager Enrico Deppi in Italy, we have driven quality to unprecedented heights.
You’ve also managed to be a heritage brand while remaining relevant and modern…
The key to our success is our respect for our Dna and heritage, coupled with a creative need to improve and build on the beauty of what came before. We are heavily inspired and influenced by the shapes and silhouettes of an impressive 55 years of our own eyewear designs. There are over 5,000 Cutler and Gross styles in our extensive archive dating back to 1971, which is now housed in our design studio in Cadore, Italy.

Speaking of Dna, could you tell us more about the term “Quiet Luxury” which really describes Cutler and Gross very well?
Quiet luxury is the new buzzword for what we have been doing for over 50 years. Like a quality suit by Brunello Cucinelli or Loro Piana, our frames aren’t adorned with flashy emblems or external branding. We have a single logo in gold foil on the inside. We don’t need to show off, and our customers rarely feel the need to. The materials we use and the way we make them, creating a frame that fits beautifully and the tactile sense of quality, is what we consider most important.
Do you have any overarching principles that guide you to ensure that the Dna of the brand remains unchanged?
We have grown about 300% in 5 years. This success is linked to a few core values that we hold dear. Our design ethos is deeply rooted in the legacy of our founders, Tony Gross and Graham Cutler. Each new model undergoes a rigorous sign-off process to ensure it embodies the essence of a true Cutler and Gross frame. Authenticity is another fundamental principle we uphold, from using traditional techniques such as real riveted hinges and hand-finished frames, to drawing inspiration from real moments in time when our eyewear made its mark in the world of music, film and art. We avoid superficial trends. Another backbone of our brand is the dedicated people who have been part of our journey for decades, working alongside Tony Gross and Graham Cutler. They reinforce our integrity.

Looking to the future, how does Cutler and Gross plan to continue to grow and innovate while staying true to its heritage?
We have an aggressive growth strategy that includes both retail and wholesale. One of the most important elements of this growth strategy is to expand our product offerings to include more luxurious offerings such as titanium, retail-exclusive horn and other alternative fits.
What about retail and distribution?
We want to maintain and nurture our selective distribution model, selling only in our own boutiques and premium stores. We are always looking for opportunities to open new flagship stores in key cities around the world. We are also planning a complete renovation of all our existing retail stores. A key component will be the development of our bespoke offering, which harkens back to our origins and customizable lenses.
Are there any collaborations we should know about?
We have signed a five-year licensing agreement with luxury English jewelry manufacturer The Great Frog, which allows us to venture into the world of silver and gold eyewear. There are a few more collaborations in the pipeline over the next two years, which has always been part of our Dna, the cross-pollination with other design-led brands is a shot in the arm for creativity every season.

 

Source: Favrspecs

January 2024

PRM Mağazacılık

PRM MAĞAZACILIK

Young and Dynamic

Silmo Istanbul has become the locomotive of the Turkish optical sector in this ten-year development process and we are very happy and proud of this development as a company in the sector.

Hello Mr. Tankut, could you tell us a little bit about yourself and how you personally crossed paths with the optical industry?
Hello, I was born in Antakya in 1970. After completing my primary, secondary and high school education at Private Işık High School, I started my higher education at Istanbul Technical University, Faculty of Chemical Engineering. Since I was raised knowing that university education is necessary but not sufficient for business life, I started business life in the first year of my university education in order to gain experience in business life. After completing my chemical engineering career, I completed my second university by completing my Economics education, which I believe contributed a lot to my business life. Our paths crossed with my partner at a time when I felt it was time to bring a different perspective to the sector. My partner is also a graduate of Marmara University Fine Arts and has worked in senior management positions on design in various brands for years. We set out with a shared vision and the belief that we were ready to take on a mission.

Although you are one of the young companies, you are drawing a successful graphic with your vision. How and when did you decide to establish Prm Mağazacılık?
We established Prm Mağazacılık Hizmetleri Ticaret A.Ş. in 2010 with the aim of bringing different brands to the Turkish market. While establishing our company, our primary goal was to position the brands in the right place and with the right strategies while ensuring that the brands we brought from abroad could fill certain gaps in the domestic market. In this way, we have met many new brands and products and as a result of the efforts we have made with our experienced team and focus groups consisting of consumers to bring them to the Turkish market, Meller was the eyewear brand that introduced us to the optical sector as well as many clothing and accessories brands that we have brought to the Turkish market.

Let’s talk a little bit about your brands. Could you share with us the main features of your brands, their interaction groups and their position in the sector?
Meller is a very young and dynamic brand established in Barcelona, Spain in 2010. Our Meller brand started to find its place in the Turkish market as of 2018 and as of today, we can say that it is a well-known and sought-after brand. It is one of the fashion brands that use social media most effectively. It is a fast dynamic brand that is preferred by new generations and follows the fashion of the day very quickly. Meller offers both quality and affordable products to consumers with a wide range of models and colors. Freesbee, our other brand, is our second optical eyewear brand that we have brought after the success of Meller and is an American California brand. With the same goals, Freesbee is produced in 100 percent acetate with high quality and accessible prices. Although it entered the sector in 2022, it has become a highly acclaimed and popular brand. With our special agreement with U.S, we have decided to make Turkey a regional supply center and we have made an agreement to carry out sub-distributorships abroad, especially in Europe, Arab countries and Russia, which are in our close geography, through Turkey.

What is your priority when determining the collections of your brands? What inspires you while designing your products?
For the collection selections, we primarily follow international fairs and combine the trends of the season with our own vision and gustom and make choices in accordance with our own market. Of course, our collection and model selections are also guided by current customer interest and demands. We supplement them with at least four collections and color variants per season. Since Freesbee and Meller have a very wide product and collection structure, we have a design team that works very meticulously to bring the most up-to-date models together with consumers. In addition to closely following the trends in the relevant season, our design team also analyzes customer tastes and behaviors in detail and makes model and color choices accordingly.

What is your strategy for expanding your distribution and sales network?
When expanding our distribution and sales network, we are working on a very careful strategy that we have worked on beforehand. Our roadmap is determined before the brand enters the country. We take great care to make sure that brands meet their consumers at the right points of sale and in the right way, rather than being everywhere and on every corner. In this regard, we go a little out of the ordinary and first create the tastes and consumers of the brands. Then, we establish and develop long-term collaborations with sales points that are in line with the dynamics of the brands. Our aim is to be on the supply and promotion side of a long-term and winning business model rather than selling products. We work with only one point of sale in each city except for big cities. Our primary goal is to create demand for brands. In this direction, I can say that we use social media channels very actively.
As a company investing in the sector, what are your thoughts and expectations about the development of the sector?
Obviously, we think that the Turkish optical sector is still developing compared to abroad and has a long way to go. We think that the cumbersome retailers who are still stuck in the old methods should make more efforts to adapt to the development processes and the current new system retail. We think that companies and brands that can no longer interact with their end customers through social media management and communication will have much more difficulties. We foresee that it will be much more difficult for companies and brands that do not have a message to give to their consumers and are not accessible at any time to survive in the next five to ten years compared to the last five to ten years. We also think that the sector needs more innovative and dynamic young managers and labor force with a vision. In addition, we think that the government’s support and incentives for companies, especially in the areas of exports and digital transformation, will increase their contribution to the free growth of the Turkish optical and retail market, and thus the sector’s place in the market may become more important.
Do you follow international fairs and what are your thoughts on this subject?
We think that fairs are a very important building block in sectoral growth and that it is necessary to follow the right fairs accordingly. Of course, we follow all the important fairs as visitors and exhibitors and I think we get the returns. Silmo Paris carries the banner at the forefront in international fairs in this regard, and we follow it regularly with great appreciation as it opens our vision.
As an exhibitor, how would you evaluate Silmo Istanbul Optical Fair, which is being held for the 10th time with its new and larger service area?
After following Silmo Istanbul closely as a visitor since the first year it was held, we participated as an exhibitor for the first time this year after the pandemic that intervened. Frankly speaking, before exhibiting in Silmo Istanbul, we did not fully understand how effective the fair was. At Silmo Istanbul, the visitors reflected their trust and appreciation for the fair to us and our brands and we received very positive feedback. We were very pleased with the demands we received, especially in the face of the intense demand of foreign customers. We have started distributorship negotiations with many neighboring countries for Freesbee and we have concluded this process with some of them. Silmo Istanbul has become the locomotive of the Turkish optical sector in this ten-year development process and we are very happy and proud of this development as a company in the sector.
Thank you very much for this valuable interview. Finally, can we learn your views on the evolution of our magazine 4 your eyes into digital publishing?
Frankly speaking, we think that 4 your eyes magazine has filled the sectoral gap very well in the process of the shift of printed publications to digital. We are eagerly waiting for the new episode to be published every month. Endless thanks to you for your meticulous and diligent work.

January 2024

Avantguard

Avantguard

“Eye for Change”

The Avantguard offers luxury designs with the goal of protecting the eyes. It does not compromise on meticulous craftsmanship and environmentally friendly approach in production.

About The Avantguard…
The story of UK-based eyewear brand The Avantguard began when its founder, Faiza Seth, a 1977 Indian-born American entrepreneur, was diagnosed with the onset of cataracts and embarked on a journey to create a sustainable, fashionable and accessible eyewear brand based on eco-friendly principles and aesthetic beauty.
The Avantguard eyewear are made in Japan with a sustainable approach. Faiza Seith, the founder of the brand, believes that eyewear fashion will be strengthened by the presence of aesthetically pleasing, trend-setting and beautiful designs, and that eyewear should be produced in a sustainable manner with minimal environmental impact. For this reason, The Avantguard only works with the most experienced manufacturers and is not afraid to put forward the most experimental ideas in the industry. The brand believes that combining new and exciting materials with old artisanal hands can open up a whole new world of possibilities.
Design loved wearing sunglasses, but soon realized that the lenses weren’t providing enough protection for his eyes. When she visited an ophthalmologist, despite her young age, she was diagnosed with the onset of cataracts, and the ophthalmologist advised her to always wear sunglasses, even on cloudy days, to prevent the cataracts from worsening, and that’s when the entrepreneurial spirit of Faiza Seth’s passion for sunglasses took off and paved the way for a new brand. Precisely because eyewear is not only an accessory but also a very important health tool, The Avantguard uses premium lenses that offer UV400 and blue light protection in line with its founding purpose. Thus, The Avantguard offers aesthetically fashionable designs to the luxury segment, with the primary goal of protecting the eyes. The Avantguard does not compromise on meticulous craftsmanship and environmentally friendly approach in production.

Botanical Series and Eco-Friendly Approach
Botanical, The Avantguard’s plant-based eyewear collection continues to dazzle, with The Avantguard opting to work exclusively with cellulose bio-acetates rather than the commonly used plastic acetate alternatives. The detailing in this elaborate collection is presented with many selected features, from bespoke triangular hinges to customized metal wire-core temples. All handle ends are laminated with a subtle accent color and the inner temple ends feature laser-etched lines on acetate for extra grip. For the user, this allows The Avantguard to promise even more luxury and comfort. The brand’s signature “Eye for Change” text is laser-etched on the inside of the frames and filled with ink to be visible when worn. The inner thickness at the temples also offers a varied and curved look for extra comfort.
Made from cotton and wood pulp fibers produced under a new formulation using bio-acetates, substances derived from renewable resources, the collection has a positive impact on the brand’s success graph. The Avantguard designs its eyewear using environmentally friendly bio-acetate, effectively eliminating the use of excess plastic. This bio-acetate is 100 percent biodegradable, meaning that it can be mineralized into carbon dioxide, water, methane, organic salts and decomposed into new substances, thus being returned to nature. This process truly ensures sustainable development by returning resources back to our planet. 

Bio acetate is fully biodegradable within 115 days under industrial composting conditions. By sourcing recycled acetates and giving them new life, The Avantguard turns nuisance waste into a viable material, reducing plastics that go straight to landfill. The Avantguard team is also exploring recycled metals going forward.  The brand’s packaging is made using FSC-certified recycled paper. Unity antistatic chemical-free microfiber cleaning cloths are made from recycled plastic bottles and naturally dyed vegan leather pouches. Inspired by intentionality and the connection between nature and the positive role fashion can play, The Avantguard is constantly learning, growing, changing and evolving.

New Rewilding Collection
The Avantguard introduced the Rewilding collection for the highly anticipated Fall/Winter 2023-2024 season. The Rewilding collection explores nature, science and Japanese craftsmanship through three distinct parts, Bloom, Grow and Blossom. The brand reiterates its concept, offering quality eyewear that lasts while making a positive impact on the planet. The Rewilding collection consists of eleven new sunglass designs in three colorways, made using only recycled, biodegradable and green plant-based acetates.
The Avantguard’s campaign for the new collection is inspired by the positive connection between nature and fashion when working in harmony. The brand’s new campaign is a symbol of the brands’ desire to constantly learn, grow and evolve. Set to celebrate nature and The Avantguard’s role in it, the stunning zero environmental impact campaign was created with artificial intelligence.

Kaynak: The Eyewear Forum

January 2024

Rosie Huntington Whiteley

Rosie Huntington Whiteley

Phoebe Phılo

Rosie H. Whiteley, who is highly acclaimed for her style, is seen with a selfie she took with a stylish style. Rosie, who prefers black and white, combined her style with Phoebe Philo sunglasses.

January 2024

Rita Ora

Rita Ora

Dıor

Rita Ora, who posed for the paparazzi at Jfk airport on her way back from New York, where she came for both business and vacation, has stylish black and white Dior sunglasses in mask form.

January 2024

Miranda Kerr

Miranda Kerr

Louıs Vuıtton

World famous the beautiful Australian top model Miranda Kerr, who has a strong fan base world wide , poses with a chic Louis Vuitton sunglasses for her fans and the press after lunch.

January 2024

Meghan Markle

Meghan Markle

Valentıno

Baştan aşağı siyah trençkot, kazak ve pantolondan oluşan klasik ve rahat bir sokak stili seçen Meghan Markle, stilini siyah detaylı beyaz çantası ve Valentino güneş gözlüğüyle tamamlamış.

Ocak 2024

Madonna

Madonna

Dolce&Gabbana

Madonna was seen at a special night she attended. Madonna, who chose the nobility of black from head to toe, especially her fur coat and Dolce&Gabbana sunglasses looked great on her.

January 2024