Timeless Futurism from Ovvo

The Ovvo Optics Spring/Summer 2023 eyewear collection forges into a new frontier of optical innovation with nine all-new styles. Crafted from the finest materials with progressive designs and refined minimalist character, the new collection presents some of the most exciting pieces in the Ovvo catalog. These nine new frames find inspiration in futurism, technology, and progress, fusing the three pillars together in timeless pieces crafted to withstand the highest demands. Built to the signature standards of each Ovvo piece, expect elegant engineering, technical innovation, and inspired style in every frame. The images for the new campaign incorporate themes of metal, geometric forms, and laser light. These motifs are visualized through beams of both connecting light and refracting light that bursts and illuminates the elements in scenography. To learn more about Ovvo Optics’ Spring/Summer 2023 collection, you may visit the brand’s website.

April 2023

Gigi Studios Expands Lab Series

Gigi Studios expands its Lab collection with six new designs made of beta-titanium. Gigi Studios Lab finds the perfect balance between design and extreme lightness thanks to the use of beta-titanium. The new models are designed for women and unisex, with thin and durable contours for a maximum feeling of lightness. Inspired by technology and fashion culture, the new models are designed to provide the utmost comfort without giving up on new trends. Extreme lightness is the key feature of this Japanese beta-titanium handmade Lab collection by Gigi Studios. The six new models stand out for the fluidity in the design of their temples and frames. This fluidity provided by the brand extends to the bridges and the top bar of the pilot-inspired models. These features are one of the most striking innovations in the collection. The Phoenix with geometric lines and the Maia, an oversized design with more rounded lines, stand out among the brand’s new designs. All new designs are available in four color options in an elegant color palette.

April 2023

Kılıç Optik

KILIÇ OPTİK

Trust and Quality Service

This year at Silmo Istanbul, we had the opportunity to visit the stands of boutique brands. We made agreements with new brands and incorporated them into our organization.

Hello Mr. Zeki Kılıç. First of all, let’s get to know you a little and talk about your story of entering the sector…
Hello… I am Zeki Kılıç, born in Sivas in 1955, married and father of three children. After graduating from Istanbul University Faculty of Literature, I received an optician’s diploma with the course opened by the Ministry of Health. In addition to my father’s profession of jewelery, I entered the optical sector by opening my store named Kılıç Optik in 1980.

Could you tell us about the establishment phase of Kılıç Optik? We know that you are a 42-year-old well-established store. How many generations have you been serving the sector?
We opened Kılıç Optik in 1980 and our establishment has always stood out with innovations. In 1982, our understanding of service and quality, which started by bringing one of the 10 stenciled Weco automatic machines coming to Turkey to Sivas, continues with the first stencil-free machine, the first machine with a drill, and most recently in 2022 with Essilor Mr. Blue Sport Edition, while our leadership in imaging and focusing devices, which started with Fotocentron, continues with Armani-T, Imotion Center and finally with Hoya Visureal Master, one of only two devices that entered Turkey in 2022. We serve with an understanding that prioritizes quality and innovation in frames and glass in the same way. As the first generation, our Sivas store continues with two branches, while as the second generation, my younger son has been serving the sector with Selçuk Optik, which we established in Balıkesir, Bandırma since 1993.

Do you stock products from every group in your store?
In order to provide better service to our customers and to meet more than the expected demand, we take care to have products from every group in our store. In order to offer sun and optical products suitable for all ages and tastes from seven to seventy, we are expanding our product range with original models and brands that are renewed every day.

There are many important optical stores in Sivas. Does this situation create competition? What measures do you take?
On the contrary, the presence of other optical stores allows us to better demonstrate our quality and difference. We do not find competition very ethical. We reached our forty-second year in the profession not by competing but by the mutual trust and quality service we provide to our customers. Unfortunately, companies that compromise honesty and quality for the sake of competition are damaging our sector day by day. This situation causes our sector to lose the prestige it deserves.

What are the most sold optical and sunglasses brands in your store?
We carry many brands in order to offer the right product to our customers. Burberry, Guess, Flair, Tom Ford, Lacoste, Alexander Wintsch, Motivum, Silhouette… For sunglasses, Prada, Oliver Peoples, Miu Miu, Persol, Versace, Franco Vital, 40 Million, Ermenegildo Zegna, Swarovski are among the most demanded brands that are liked by our customers.

Designer brands are very popular in recent years. Do you also receive requests from your customers in this direction?
We are constantly following designer brands closely. Since eyewear is in demand as an accessory as well as a necessity, in order to offer both together, we include the products of boutique brands that offer more original models in our store as well as worldwide designer brands that have proven themselves with their quality and design.

What are your after sales services?
As Kılıç Optik family, we aim for excellence in after-sales services. In accordance with our mission, we are always working to be indispensable for our customers with our after-sales services.

Street stores or being located in a shopping mall? What is your preference and what are the reasons?
We can better observe the diversity and intensity of our customer portfolio in high street stores. In this respect, we think that street stores have a more genuine potential. Being in a location that is easily accessible by our customers has always been our priority.

As someone who serves in the sector, what do you think about the rate and awareness of eyeglass use in our country? What can be done to increase the use of eyeglasses and who has a role to play?
The culture of using eyeglasses in our country has just started to settle. While more qualified glasses are used more widely and consciously in Europe, this situation is a little different in our country. Considering that one in every three children has a visual defect, we think that eye examinations should be performed at an early age and at more frequent intervals. Parents should be more conscious about this issue. Explaining to our customers the importance of eye health and the problems and diseases that may occur in their eyes if they do not use them in detail and informing them about the quality of glasses and lenses they should use depending on the condition of their eyes will encourage them to use glasses. This task falls to our doctors and us, the optical establishments, before anyone else.

Is the sales and training information provided within the sector sufficient? Do you organize training programs for your store employees?
It cannot be said that it is sufficient. Theoretically, we think that we are lacking in today’s developing technology. We support our employees to participate in online training programs and improve themselves.

Do you follow international optical fairs and sectoral developments abroad?
We closely follow international optical fairs and developments on the internet and social media. Because we think that fairs are of great importance for us to observe brands, collections, products, latest technologies and the latest trends.

What are your opinions and evaluations about Silmo Istanbul Optical Fair held between November 17-20, 2022?
It was a very enjoyable fair. As Kılıç Optik, we participated in Silmo Istanbul Optical Fair. It was a full fair for us. Since we have many world brands in our store, we had the opportunity to visit the stands of boutique brands with much different designs and lines. We made agreements with new brands and incorporated them to our organization. In 2023, we heard that the exhibition area will be built in a bigger area, and we think this is a very right decision. Since there is a lot of interest in Silmo Istanbul, we are glad to hear that the area will be expanded. We think the fair will get better and better in the coming years and we look forward to discovering new models and brands.

What are your views on 4 your eyes, which started to be published digitally as 2023?
We have been following your magazine with interest for years and find it very successful.  Thanks to you, we have the opportunity to discover the developments in the sector, eyewear fashion and trends soon. We think it is absolutely the right decision to go digital. Publishing your magazine in digital media will make it more accessible in today’s world. The service you provide to our sector is really valuable. As Kılıç Optik, we thank 4 your eyes family and wish you continued success.

April 2023

Göral Gözlük

GÖRAL GÖZLÜK

In Pursuit of Ideals

“I think Silmo Istanbul is of great importance for both manufacturers and suppliers by bringing different cultures and societies together.”

Hello Mrs. Nazlı, could you tell us about yourself? Did you first start working in the optical sector with Göral Gözlük?
Hello, I am one of the women who have ideals, who can take steps to realize these ideals and who always aim to keep the level of effort at the highest level in order to achieve maximum success. First of all, I have been very interested in glasses since my early ages. Before moving to the factory and production network, I did a lot of research looking for ways to be the best in this sector. I went to China, one of the leading countries in the production of eyeglass frames, and stayed in China for two years to conduct various researches by visiting various factories in this direction. Finally, I returned to my country by blending my curiosity and research. The desire to contribute to domestic production in Turkey has further strengthened my courage to specialize in the sector. In 2003, this adventure that we started has produced great results with the sufficient determination of myself and all my colleagues. I always wanted to make a small contribution to the position of women in today’s society, to provide employment and to stand on their own feet. In this context, I succeeded in creating a female employee capacity of eighty percent of our company. By moving in the direction of my ideals, we have succeeded in becoming the best company in the production of glasses in Ankara.

We know that you have moved to a large facility. Could you tell us about your production activities and the operation of your facility?
We have switched from our facility where we are currently manufacturing metal eyeglass frames to a larger facility where we can produce TR-90 upon continuous demand from our customers. With the start of production, we continue to produce and deliver almost every type and model of glasses needed with high demand. Since we have moved to a larger facility, we have provided more employment, so the number of our colleagues has increased considerably and each of them is creating tremendous work in effective working conditions.

Are all the brands of your company produced in your facility? Apart from your own brands, do you also import brands?
Since the eyewear sector is seen at high levels in terms of being a trend in Turkey and in the world and in order to do our job completely, we continue our work by paying special attention to each of our brands. There are eleven brands in total within our company.

Could you share with us the main features of your brands, their interaction groups and their position in the sector?
The brands named Avva, Tommy John, Nar’s are the group that we import and which we characterize as upper segment glasses. We have more than a hundred collections that appeal to modern and young people. I personally bring each eyewear model to our country by visiting the country of import, seeing the place of production and most importantly, choosing each model personally. Our own brands are Gemmar, Vivera, West Gate Dfarni and Luciano Gatto. These brands are produced in our own factory. The first form is imported from China and Italy as wires, but then they are shaped in our factory in Ankara and turned into glasses suitable for fashion and demands. These brands that we produce in our facility create a profile that attracts attention with its numerous models and affordable prices that appeal to all ages.

What is your priority when determining the collections of your brands? What inspires you when designing your products?
My priority when creating the collections is to choose frames that are absolutely in line with the demands and meet the needs. When I create collections with my own team, I aim to bring together quality pieces that appeal to the market and appeal to everyone’s opinion.

We know that you export your products to many countries. Which promotional activities do you prefer to strengthen your international sales?
In our international sales, we carry out the process together with our Foreign Trade Department. This department is responsible for the packaging of the products, the delivery of the products to the company that will make the delivery, the receipt and satisfaction of the product; It provides 24/7 communication support to each company. The most important process of our business starts after the products are received. The reason for this is the motto we have adopted as a company; “The biggest advertisement is the reference.”

As a manufacturer company that increases its capacity more and more every year, are you able to get the necessary support from the government for your investments? What are your expectations?
As Göral Gözlük, we are a company with an active customer portfolio and a production network that is growing day by day. We do not receive any support from the government. Our state will definitely have more incentive studies for production. We demand these to be expanded.

In our previous interview, you mentioned that you attach importance to R&D and innovation. Could we talk about the innovations and goals that await Göral Glasses in the new period?
We are concentrating on R&D studies and we aim to support these projects that are more widely demanded and to shape our products in a better quality and more qualified form. An innovative approach will surely take every organization much further.

As a company investing in the sector, what are your thoughts and expectations about the development of the sector?
As one of the rare companies whose production capacity has not suffered any interruption even during the pandemic, I can say that the sector will always need much higher quality and more innovative models. As a company, we are aware that we have a structure that shapes the sector. Making our awareness concrete by always working for more is our main source of motivation.

How would you evaluate Silmo Istanbul Optical Fair, which will be held for the 10th time with its new and larger service area, from the beginning to today as an exhibitor company?
I think that Silmo Istanbul is a fair where serious works have been accomplished since its inception. I think that Silmo Istanbul is of great importance for both manufacturers and suppliers by bringing together different cultures and societies.

Thank you very much for this valuable interview. Finally, could we learn your views on the evolution of our magazine 4 your eyes into digital publishing?
I think that your magazine 4 your eyes is a successful publication in the sector in order to keep up with the current news in Turkey and in the world. At the same time, I am aware that the magazine informs its readers about the development and innovations of many companies that are well-known or lesser-known in the sector. We would be happy if elements such as magazines and newspapers evolve according to the development of the internet and our speed of access to news and create digital publications. Because I am a strict follower of 4 your eyes, which draws a reliable profile to reach the right information. I wish you continued success.

April 2023

New Era in Intraocular Lenses

Today, the most up-to-date treatment is smart lenses. It is possible to see near with special lenses that is called trifocal or edof.

Stating that reading glasses started to be used in this period, which usually starts in the early 40s and is called the presbyopia period, Ophthalmologist Assoc. Dr. Efekan Coşkunseven said, “Today, the most up-to-date treatment is smart lenses. It is possible to see near with special lenses that we call trifocal or edof.” Eye Diseases Specialist Assoc. Prof. Dr. Efekan Coşkunseven stated that reading glasses are started to be used after the age of 40-45 and stated that the most up-to-date treatment is smart lenses. Stating that thanks to these lenses, the patient can see near and does not need cataract surgery, Assoc. Dr. Coşkunseven stated that thanks to these special lenses, glare is also eliminated when looking at the eye from the outside.

Stating that most people started working at home with the pandemic, Assoc. Prof. Dr. Efekan Coşkunseven said, “We started to receive education from home. This increased our dependence on tablets and computers. Unfortunately, there is a period like puberty, menopause and andropause that we all have to go through. We call this the presbyopia period. Unfortunately, we have to use reading glasses after the age of 40-45. People who need to use smart lenses may have the chance to continue their lives with less or no reading glasses.”

The Lens Cannot be Recognized From The Outside
Stating that it is not possible to notice the lens from the outside, Assoc. Dr. Coşkunseven said: “We call these special lenses that we call trifocal or edof in a special structure. It is possible to see near with these lenses. Previously, there was an issue that our patients complained a lot about these lenses.  When we put these lenses on after cataract surgeries, patients complained that these lenses were noticeable from the outside. With the new lenses made with new technologies, this situation has been eliminated and it is almost impossible to notice the lens from the outside. The surgery takes about 5-10 minutes. Our patients do not need to lie down after surgery and can return to their social life immediately.”

Has The Same Features as Cataract Surgery
This method can be applied to patients who are in the cataract age, who have cataracts, as well as patients over the age of 40-45 who do not have cataracts or have few cataracts. Assoc. Prof. Dr. Coşkunseven said, “While various other methods were used before, the most up-to-date and most accepted method in the world is the use of lenses with the features we call trifocal and edof. This surgery actually has the same features as a cataract surgery and patients who undergo this surgery do not need to undergo cataract surgery again. One of the most common complaints of the patients was that when other people looked at them from the outside, their eyes shone like cat’s eyes. At night, when they sat in a restaurant, it bothered them that other people around them realized that there was an operation. The effect of light scattering at night has decreased a lot. The most important issue here is to choose the right lens for the right patient. There are special methods and devices that can investigate this. With these devices, we decide which lens to choose for which patient. Whether the patient has undergone laser treatment before, whether there are any other problems in the cornea, these are evaluated. In the light of these, patients are helped by choosing the right lens according to their characteristics.”

Disease Does Not Recur
Stating that there are also those who had laser treatment fifteen – twenty years ago and now come to have this surgery, Assoc. Prof. Dr. Coşkunseven said, “Of course, it is necessary to first evaluate what kind of change there is in the cornea of this eye with very special methods. After this evaluation, we decide which of these special lenses to choose and we help our patients in this way. Thanks to this lens, it is not possible for the patient to encounter a cataract later because we completely replace the lens that causes cataracts. This surgery is a lifelong surgery.”

April 2023

Matsuda

MATSUDA

Fashion Meets Art

We present an interview with James Kisgen, the CEO who reintroduced Matsuda to the eyewear world twelve years ago, about the brand’s history, current activities and future goals.

When the fashion brand founded by Japanese designer Mitsuhiro Matsuda ceased operations in the 1990s, fashion circles, especially the brand’s followers, were deeply disappointed. Despite changing trends and changing customer demands over the years, the longing for Matsuda had not diminished. In particular, many of the brand’s optical and sunglasses, meticulously handcrafted in Japan, continued to be in high demand by collectors. It was only in 2011 that Matsuda’s unquenchable light met fashion lovers again and the brand turned a new page for itself. Successful businessman James Kisgen breathed new life into Mitsuhiro Matsuda’s legendary brand and reintroduced Matsuda to the fashion world in 2011. We present the interview with James Kisgen, CEO of Matsuda, about the brand’s past, current activities and future goals.

James, thanks for the opportunity to do this interview. Where are you right now and what are you working on?
My pleasure – thank you for doing this interview. I relocated my family to Atlanta, Georgia, which is where I grew up. We’ve recently opened a design studio here and I’ve been working on building the team at the new studio. In the last year we have moved to larger offices in Los Angeles and in Europe and we are currently moving our Japanese office to a larger building to give us more room to grow. We have so many projects coming up and have been very busy making sure we stay on top of everything. Life is good.

It’s been more than ten years since you relaunched Matsuda. You really managed to stay true to the Dna of the brand. What do you attribute your success to?
It hasn’t always been easy, and we haven’t always gotten it right. But we’ve owned our successes and our failures and have always been focused on our vision to bring the brand back in all its glory. We have some of the smartest, most creative people I’ve ever met working to make this happen. None of what we have achieved would be possible without them.

Is it hard to reconcile both past and future of such a historic brand?
I’m always thinking that we have big shoes to fill. But one of the things that I love about the brand is that throughout the entire fifty+ year history, Matsuda has felt “current” and “of the moment”, all while staying true to the vision. So to answer your question, it is always a bit challenging, but the challenge is what drives us.

One of the similarities that you share with Mitsuhiro is a love for France. He traveled to Paris in the 80s to find inspiration for his clothing line. And you also fell in love with France at a young age. What does France mean to you?
Ah, France… One of the most beautiful, fascinating countries in the world. I think that there is such an appreciation for life and for history that exists in French culture. When I moved to France as a teenager, there was so much to explore and discover and it was so different from where I grew up. I also love seeing “old world” and “new world” existing at the same time. I try to draw on this for Matsuda.

How do you keep track of original material, sketches from Mitsuhiro or old products from Matsuda in the company?
We have an incredible archive of original sketches, clothing, eyewear, accessories and lookbooks that we have built over the past 10 years. We are constantly using these for inspiration. As you know, our Heritage Collection features products that we’ve resurrected from the archives that have been re-released in limited quantities.

What are the aspects of the Matsuda brand that inspire you the most?
Matsuda has always celebrated artists and artistry. From the product design, to the craftsmen producing each frame, to the way the campaigns are created – each artist plays an important role in what we do. We will always love and celebrate the work of artists.

You’ve worked as sales manager for Cartier and have some good knowledge about the luxury segment. What are the biggest changes in luxury that you’ve witnessed in the last decade?
Luxury brands have to be great storytellers today – it is what consumers are drawn to. Of course the quality and design of the product are still the most important, but now more than ever consumers want to connect with brands and feel like they are a part of them. There are a lot of great luxury brands out there today, which is very inspiring – but we just put on blinders and focus on staying true to our vision.

Design keeps evolving as well. One of the big movements in the past was a tendency towards less and less details. Yet Matsuda feels so fresh precisely because it has lots of filigree, metal work and “old world details” …
I think that consumers are tired of the monotony of the new ubiquitous brands that keep popping up. I think that you can still appreciate and respect minimalism and pair it with interesting details that give brands like Matsuda a unique personality. Once again though, we haven’t really shifted our vision to fit the current state of trends – this is just who we are and what we enjoy doing.

What was the most important lesson you learned with Matsuda in the past ten years?
We are always looking for new manufacturing processes that will allow us to push the boundaries of design and eyewear even further. I love seeing how all of these new technologies are evolving and becoming more accessible. That being said, craftsmen are an integral part of our company and we will not be abandoning them for machines any time soon…

One great aspect in your endeavor to revitalize the brand was getting parts of the original Matsuda team together. Is that still the case today?
We still have many of the original team members on board and are fortunate to have so much experience and history in the company.

Fashion and art were inseparable for Mitsuhiro Matsuda. Do you think that statement still holds true today?
I can easily say that this perspective and tendency continues one hundred percent. In my opinion fashion is art and is the perfect vehicle for self-expression.

Campaigns were an extremely strong side of the Matsuda heritage. You’ve continued this tradition very well. How do you manage to stay cutting-edge as a brand?
We just like to push boundaries and create beautiful images for our campaigns. Our campaigns are not commercial at all. We never approach them from a commercial point of view, but rather as an art project. At that point, it’s more about creating something that interests us. I think by staying true to what we love we are able to create images that people connect with and help tell a story.

With a decade since you took over Matsuda, what’s a meaningful trend in eyewear that you’ve been able to watch over that timeframe?
Wow, where to begin… I feel like the industry is constantly changing. The change that stands out to me the most is the rise of the independent brands and the amazing level of creativity that exists today. In the last decade both the retail partners and the consumers have fallen in love with independent brands again.

We’ve talked at length about the vision of Mitsuhiro and the brand. But where do you personally find inspiration in your life today?
I would like to say that from everywhere, as cliched as that sounds. Travel, art, fashion, and music are my biggest sources of inspiration. I just like to have fun and create interesting things.

Source: Favrspecs

April 2023

The Best Austrian Brands II

THE BEST AUSTRIAN BRANDS II

LİMİTLERİN ÖTESİNDE

We continue to take a closer look at the best Austrian brands that push the boundaries and stand out from other eyewear brands globally.

ROLF SPECTACLES IS PART OF THE CHANGE

Rolf Spectacles was founded in 2007 with a strong vision focused on sustainability and natural materials. The brand prefers unpretentious yet elegant urban looks, underpinned by meticulous quality control and craftsmanship. Rolf Spectacles uses hard-to-process materials such as stone, wood and natural horn in its frames, and one of its other distinctive features is its patented screwless hinge system. From the very beginning, Marija “Mary” Iljazovic and Roland Wolf, the founders of the Austrian brand, built their brand identity on the use of regionally sourced natural materials. This guiding principle has enabled them to develop an innovative brand with equally unique products, such as “Woodstone”, the first stone-coated wooden eyeglass frame. Since its debut, the brand’s timeless, elegant designs, material choices and craftsmanship have helped it make a big splash on the European and then the global eyewear scene. Since its inception, the Austrian brand has taken home multiple Silmo d’Or Awards, as well as the European Product Design Award, the Red Dot Design Award and the Muse Design Award, thanks to its masterful use of wood, stone, natural horn and even 3D printed ecological materials.

For Rolf Spectacles, the concepts of origins, rationality and future have always been at the core of the brand Dna and values. It is of great importance for the brand to be connected to its origins and the region in which it is located. As an Austrian brand, the region in which they were founded has played a major role in shaping them. The brand therefore produces regionally and never overlooks strengthening its connections in the region. It develops a close family-like relationship with local suppliers. The development and production of its patented hinges and lens fitting systems, and the targeting of new technologies to create value-added products, ideally illustrate the brand’s passion for rationality. Always aiming to be prepared for the future, Rolf Spectacles continues to present that it is possible to be a part of change and to create better products with a sustainable mindset through the systems it develops and the collections it prepares with the latest technologies.

BOLD DESIGNS WITH ROBERT LA ROCHE

Austrian Robert La Roche was founded in 1973 in an era of bright colors and bold designs and the brand continues to dazzle. The Vienna-based brand’s eyewear has been worn on red carpets by world-renowned names such as Yoko Ono, Meryl Streep and Arnold Schwarzenegger. Robert La Roche, one of the international trendsetting brands, was relaunched after a break between 1999 and 2014 to bring its bold designs into the 21st century. With this return, the Austrian brand started to present its eye-catching collections one after another, much to the delight of its fans.

All Robert La Roche frames are handcrafted by artisans in Italy and Japan using the finest materials on the market, promising a lifetime of quality. However, what makes Robert La Roche truly special is the stunning choice of shapes and styles. From bold designs to unusual shapes, many of its frames are collections in their own right. Robert La Roche is a well-established brand, founded in the early 70s, so its unique eyewear collections are an ideal alternative to a market flooded with simple vintage reproduction frames, combining its unique historical design values with art and modern technology.

UNBREAKABLE EYEWEAR WITH GLORYFY

Christoph Egger, Founder of Gloryfy, launched the brand to create indestructible and unbreakable eyewear after a colleague injured his eyes during a sports accident. Since its inception, Gloryfy’s first indestructible design, performance eyewear, has evolved and expanded to a wider market with a wide variety of aesthetically diverse concepts. Today, Austrian Gloryfy is a globally recognized brand when it comes to unbreakable eyewear. Collaborations with artists and athletes, whom the brand’s founder calls “Gloryfy Heroes”, have also contributed greatly to the brand’s rapid rise to a successful position in the industry. The brand’s first sunglass models were developed with artists such as Rich:Art, Dust and Lilo Krebernik, while the ski goggle designs were developed with snowboarding legend Michi Albin in 2010. Manufactured locally in Austria, Gloryfy’s indestructible and unbreakable goggles are characterized by ultra-flexible frames and lenses, as well as being ultra-strong and lightweight thanks to the materials and craftsmanship used. Bendable, Gloryfy designs will not break even if you sit on them. Thanks to the patented proprietary material NBFX, they return to their original shape even in the most destructive conditions. As part of its sustainability initiative, the Austrian brand offers a lifetime guarantee on its products and uses eighty-three percent recyclable materials in the manufacturing process.

BOTH FORM AND FUNCTION WITH SPECT EYEWEAR

Spect Eyewear, founded in 2016 and based in Austria, focuses on combining form and function with sunglasses, sports eyewear and optical frames. Headquartered in Graz, the brand develops designs that focus on meeting the needs of individuals with physically active lifestyles. This allows the brand to use functional materials such as Ultem, TR90, Edelstahl and Nylon, as well as incorporating a range of innovations such as Ultra Flex, Wing, Magnetron and Flow technologies. The result is goggles that are virtually indestructible, comfortable to wear and stay in place without the need for straps, whether while mountain biking or rafting. Deeply committed to both utility and style, Spect Eyewear is still a relatively new brand, but has already established an official partnership with Red Bull, bringing the Red Bull x Spect Eyewear collection to the optical world and strengthening its brand positioning.

Source: Favrspecs

April 2023

Moncler’s Touch

Milan-based luxury fashion house Moncler continues to offer stunning products as a specialist brand in ski goggles. For this eye-catching pair of sunglasses, the Italian brand has taken inspiration from its signature ski goggle designs. This stylish ski goggle interpretation of the brand is ready to adorn your wardrobe every season with its oversized form, way-out frame and yellow colored lenses.

April 2023

Chicness of Versace

The world-famous luxury Italian fashion house Versace always succeeds to go beyond the limits when it comes to design. Versace, which maintains its assertiveness in eyewear designs, is preparing to make fashion lovers happy with this sunglass model with elegant and noble lines. The oversize model is only framed on the front with a flat, gold and black stripe that extends only along the eyebrow line.

April 2023

Layers of Nina Mur

Madrid-based eyewear brand Nina Mur, which combines its label with the highest quality materials, advanced technology and fine craftsmanship to the world’s taste, comes up with a pair of sunglasses in harmony with its design Dna. Although Nina Mur, which makes a name for itself with its wooden eyewear, prefers a different material in this model, it offers the brand-specific layering on the front profile.

April 2023