Kuzguncuk Optik

KUZGUNCUK OPTİK
Boutique Chiciness

“We are so happy that Silmo İstanbul is evolving, developing and growing more and more over the years.”

Hello Mr Süleyman, could you tell us about yourself and how you met the optical sector?
Hello, I started my business life with the textile sector, which is a family business. After graduating from Yeditepe University International Trade and Business Administration department, I continued our wholesale textile business by establishing a retail network. Later, I entered the optical sector through a friend of mine. I started our first store by taking over an existing optician in Maltepe district of Istanbul. I was very excited, it was difficult to enter a new sector, but since I was a tradesman before, my adaptation process was very short. I went to Kuzguncuk neighbourhood with my wife for breakfast on a Sunday. The first time I saw Kuzguncuk, I was very excited. The name of the neighbourhood also impressed me a lot. The desire to open a store in Kuzguncuk appeared in my head at that moment. I already had 2 stores, but since the name of this neighbourhood impressed me, I determined the name of the store I would open here as Kuzguncuk Optik. As Kuzguncuk Optik, we have opened our first store in Kuzguncuk, our second store in Bağdat Street and our third store in Çengelköy.
What are the most sold optical and sunglasses brands in your store?
We generally enjoy selling more boutique products. When our customers enter our stores, they see colourful, differently designed glasses and they say that we have a different style from most places. This makes us very happy. The brands we sell the most are Oxibis, Dutz, Alexander Wintsch, Vanni, Tom ford, Vycoz as optics. As sunglasses, Isabel Marant, Papary, Franco Vital, Killian, Etnia Barcelona, Serengeti, Prada.
Do you include products from every segment in your store?
Every customer is important for us. For this reason, we have products that appeal to every segment in our stores. I think it is critical for customer satisfaction that customers find what they are looking for and see products from different segments. This satisfaction has brought us many referenced customers, which of course positively affects sales.

Designer brands are very popular in recent years. Do you also receive requests from your customers in this direction?
Well-known designer brands are highly demanded by every segment, but we have a fixed customer base that demands more boutique, more original brands and models in our stores instead of designer brands. Since our vision is to bring original and different designs together with the customer, we are very pleased with this trend.
What are your after sales services?
I think this is the most important issue in the sector. We always put the customer at the centre, we look at the problem they experience through their eyes. We guarantee our customers to solve the problems that occur in the product or lens after sales in the fastest way possible and we do this. For example, we can go to the homes of customers who cannot come to our stores to solve their problems. Being solution-oriented is one of our basic principles and we shape our after-sales services accordingly.
All three of your stores are located on the high street. Would you consider opening a store in a shopping centre and why?
Until now, I have opened my stores in locations where human traffic is intense. Because I think that human circulation has a positive effect on sales. As a matter of fact, I would like to be a member of shopping mall retailing as well as on-street retailing. For this reason, we want to open our fourth store in a shopping centre.
As one of the retailers, what are your views on the price competition between you and your colleagues?
Price competition is very prominent in our sector. Regardless of the city and neighbourhood, you can find a pair of glasses you are looking for with different prices in optical stores. The rapid passage of the Dollar and Euro exchange rate affects this price competition very much.

All three of your stores are located on the high street. Would you consider opening a store in a shopping centre and why?
Until now, I have opened my stores in locations where human traffic is intense. Because I think that human circulation has a positive effect on sales. As a matter of fact, I would like to be a member of shopping mall retailing as well as on-street retailing. For this reason, we want to open our fourth store in a shopping centre.
As one of the retailers, what are your views on the price competition between you and your colleagues?
Price competition is very prominent in our sector. Regardless of the city and neighbourhood, you can find a pair of glasses you are looking for with different prices in optical stores. The rapid passage of the Dollar and Euro exchange rate affects this price competition very much.

Is the sales and training information provided within the sector sufficient? Do you organise training programmes for your store employees?
Yes, I think it is pretty enough. Especially at this year’s Silmo Istanbul Optical Fair, the training organised by the companies was very efficient. We attend the trainings given by the suppliers together with all our colleagues. We review our sales policies in monthly meetings with our colleagues.
What do you think about the rate and awareness of eyewear use in our country? What can be done to increase the use of eyewear and who has a duty?
I think that the use and awareness of eyewear has increased compared to previous years. We can also observe this situation from our customers. I think the biggest task in increasing the use of glasses in a conscious way falls first to our ophthalmologists and then to the employees working in stores. Conscious employees can direct people more accurately. Public service announcements are made in every field. The eye is also a very critical health issue, perhaps public service announcements can be prepared to raise public awareness in this field.

Do you follow international optical fairs and sectoral developments abroad?
Yes, I definitely follow it. I attended the Mido 2024 fair in Milan in February. I think international optical fairs are very important and I want to bring the most trendy models and different, new brands to our customers through these fairs.
How would you evaluate the Silmo Istanbul Optical Fair, which has been held for the 10th time with its new and larger service area?
Silmo Istanbul Optical Fair was much more magnificent this year compared to the previous years with its expanding service area, and thus many more companies exhibited their products. I believe that the guests coming from abroad were more than last years. We are so happy that Silmo İstanbul is evolving, developing and growing more and more over the years.
Thank you very much for this valuable interview. Finally, could we learn your comments about the transition of our magazine 4 your eyes to digital publishing?
First of all, I would like to thank the 4 your eyes team for this interview opportunity.  The importance of digital publications is increasing day by day. I think the 4 your eyes team has reached a larger audience with the transition to digital publishing. Your publications enable people to discover new brands and learn more about this sector.

 April 2024

Silhouette

Silhouette

The Sky is not the Limit

Silhouette celebrates the 25th anniversary of the iconic Titan Minimal Art series with new models. Silhouette says “Many look to the stars, only visionaries reach them” with this exclusive series.

One of the most important stops on Silhouette’s journey to success is the iconic Titan Minimal Art collection. First launched in 1999, this exclusive collection revolutionised the global optical market. Silhouette is now celebrating the twenty-fifth anniversary of the revolutionary and iconic collection by adding new models. Titan Minimal Art frames are feather-light designs weighing just 1.8 grams with no screws or hinges. The frames in the Titan Minimal Art collection offer a level of comfort unmatched by any other eyewear to date. The Austrian brand’s approach “Eliminating all that is unnecessary makes what is necessary unique” is the basic design concept of the Titan Minimal Art collection.

Born on earth, worn in space

Silhouette’s Titan Minimal Art collection attracted the attention of the American National Aeronautics and Space Administration (Nasa) with its lightness, advanced technology, material quality, screwless design and suitability for use in space. As a result of the cooperation with Nasa, the brand left the earth’s atmosphere with the space shuttle Endeavour on 11 February 2000. This collaboration was a milestone in the history of the brand. Astronauts carry at least 5 optical glasses and 5 sunglasses on their space journeys. A space shuttle accelerates up to 4 times the speed of sound during its flight to orbit. Therefore, the weight of people and equipment increases eightfold. Silhouette’s Titan Minimal Art series models weigh only 1.8 grams and are ideal for astronauts thanks to the comfort provided by high quality titanium. A year later, Titan Minimal Art appeared on international catwalks. It became a worldwide hit as sunglasses and was favoured by many celebrities. In the 2010s, Silhouette took this success to a higher level and presented Titan Minimal Art Special Editions. The Austrian brand was not surprised by the interest of famous stars as well as eyewear wearers worldwide in these premium eyewear. Titan Minimal Art’s iconic, timeless design has been honoured with 18 prestigious international awards since its launch. Over the years, the basic concept of the Titan Minimal Art collection has remained unchanged, but Silhouette continues to work on the details with passion and dedication.

Celebrating its silver year…

To celebrate the 25th anniversary of this iconic line, Silhouette takes Titan Minimal Art to the next level, introducing a dynamic, rimless aesthetic designed specifically for visionaries seeking unparalleled precision in premium eyewear. The Titan Minimal Art collection is adorned with a new creative lens coating technique, a more precise nose bridge, effortlessly adjustable titanium temples and other cosmically exciting features. These developments create a rejuvenated, exciting look that can be customised with contemporary accent shapes to exude a youthful, trend-setting vibe.

The four trendy shapes can be infused with an especially distinctive flair through tinting and the inventive Partial Color Groove. Every shape is associated with a specific constellation. Rose Andromeda embodies a futuristic butterfly design, radiating feminine elegance and confidence. Mint Pheonix draws inspiration from the oversized glamour of the 70s, presenting a feminine silhouette with low lens glazing. Blue Pegasus stands as the quintessential shape in the collection, featuring a rectangular and masculine geometry. Embracing both genders, Grey Taurus boasts a double-bar glazing that injects an extra dose of coolness into the new aviator style.

In the 25th anniversary year of the Titan Minimal Art series, Silhouette has also made significant progress in technical developments. The temple trim zone now boasts improved adjustability. The nose bridge has undergone refinement for a more delicate and aesthetically pleasing appearance – 20% thinner and flawlessly aligned from bridge to trim. This titanium eyewear, hailed as the world’s most adaptable and flexible, snugly fits into a premium case that envelops it like a protective energy shield on a spaceship. At Silhouette, this is science without fiction.

For the 25th anniversary of the Titan Minimal Art collection, in addition to the new models in the optical range, Silhouette 2024 Titan Sun introduces five new members to the sun range. Nash is a sporty aviator with a double bar and athletic lines; Avior is a classic masculine shape for stylish and elegant business people; Adara is a chic and feminine model with a wide, timeless look; the unisex Caleum is a modernist arrangement, sleek and slightly oversized, while the professional unisex Felis takes its place in the Titan Sun range as an aviator-shaped model reflecting the signature Silhouette style.

Source: Favrspecs

April 2024

Sarpa Optik

SARPA OPTİK

The Honest Trade

“Silmo Istanbul, where we exhibited for the first time, was marvellous in its 10th year. It was amazing to meet our business partners, meet new customers and experience that atmosphere.”

Hello Mr Tuncay, could you tell us a little bit about yourself and how your path crossed with the optical sector?
Hello, I was born in 1982 in Muş. I started my working life in 1999 in an valuable company serving in every field of the sector. Two years later, when I was only 18 years old, I founded my own company and I had contract manufacturing done by the company I used to work for under the Solingen brand ,and started sales and marketing in Istanbul with my brothers. Later, we started had contract manufacturing done by other factories and expanded to Anatolia. In 2003, we started importing to obtain better and more competitive products. When I look back from today, I am happy that I have been in the optical sector for 25 years, starting from the core of this profession and I am still doing my job with great enthusiasm. In the past, I worked in some non-governmental organisations such as Müsiad and Tobb. Currently, I am the Vice President of the Istanbul Chamber of Commerce No. 73 Opticians and Watchmaking Committee. There, together with my committee member colleagues, we are trying to solve many problems of our sector and contribute to the development of our sector.
Could you tell us about the basic values and sectoral vision of Sarpa Optik?
Sarpa Optik was established in September 2001 in Sirkeci, Istanbul, the centre of the eyewear trade. When the 11 September attacks took place and the world economy entered a depressed period, it emerged as a brave example of entrepreneurship and took its place in the optical sector. Since the day it was founded, it continues its activities by growing steadily with the principle of honest trade. Working with its business partners with the principle of Win-Win based on trust, Sarpa Optik has always cared about the opinions, demands and suggestions of its business partners and has taken steps in this direction. Sarpa Optik is fully registered in the ÜTS system implemented by the Ministry of Health and is a domestic and national company and with its own capital, it has the success of launching its new collection steadily every 2 months. Sarpa Optik will continue its successful work in line with its sales strategy and growth targets with determination and determination.

How many brands do you have within the company? Could you share with us the basic features of your brands, interaction groups and their position in the sector?
We are actively in the market with our 6 brands as United Colors Of Benetton, Hemme Paris, Geoffrey Beene, which we distribute,  and Grey Flannel, Flannel, Solingen, whose rights belong to Sarpa Optik. United Colors of Benetton is arguably one of the most iconic brands of our time. Its optical and sunglasses collection offers classic and fashionable eyewear for men, women and children, blended with a variety of colour tones that set it apart from its competitors. It offers designs that mix and match bright hues and pastel frames, carefully designed to ensure comfort, fit and attention to detail that is unrivalled by other brands in its category, but never overdone, and that stand out for their own personal identity. Hemme Paris houses optical and sunglasses products made entirely from design and quality materials. The most striking, even timeless designs in our portfolio are found in this brand. Geoffrey Beene offers a range of high end optical products made from quality materials for adult men and women. Grey Flannel consists of top quality optical models that appeal to all age groups and has the widest range of models in our product groups. We have both optical and sunglasses models in our Flannel brand. This brand is positioned below our Grey Flannel brand in terms of price and contains alternative models that appeal to all age groups except children. In addition, the brand stands out with the quality mineral lenses used in the sunglasses models of this brand and classic men’s models. Solingen, on the other hand, has the most economically priced upper group quality optical and sunglasses models in our product groups.
Are there any new brands you plan to add to your portfolio?
As Sarpa Optik, we started with our Solingen brand in 2001, in 2003 we added our Flannel brand, then our Grey Flannel brand to our portfolio. Then we took the distributorship of our Geoffrey Beene brand. Then we took the distributorship of our Hemme Paris brand. In 2023, we collaborated with the UK-based Mondottica company and took the distributorship of our United Colors Of Benetton brand. We will not hold back from adding new brands to our portfolio that we believe will contribute to the sales, marketing and growth strategy of both us and our business partners and at the same time have a story and arouse excitement.

As Sarpa Optik, what kind of management strategy do you prefer in order to accelerate your growth?
First of all, I would like to say that our company has been growing steadily every year since its establishment. In fact, we ranked 169th in the list of tax record holders in 2019 in Istanbul Avcılar Tax Office, where we are affiliated. We have been on the list of tax record holders in other years. This is an indicator of Sarpa Optik’s success and contribution to the country’s economy. For this success, together with all my teammates, we always strive for the development and growth of the company. It is important for the success of the company that all employees in the company work comfortably and happily and their motivation is high. And we provide all kinds of support and contribution necessary for this. Sarpa Optik will continue on its way as a transparently managed family company with a solid infrastructure and strong capital structure.

How does your sales and distribution network function? What do you do to improve these networks?
As Sarpa Optik, we see our customers as our business partners and our only sales channel is our business partners. We care that our products are sold to the final consumer only through eyewear stores and we take every precaution in this regard. We apply the traditional marketing method with our marketing network spread all over Turkey. We have six marketing teams actively working in the field. Each team continues to work in its own region. Our teams go on regular tours every 2 months. When we prepare our collections beforehand, we make the planning accordingly. In each tour, we present to our business partners the new models of both the brands we distribute and our own brands, which we carefully design and contract manufacture in quality factories with the best material selection. We have a commercial relationship based on trust with our business partners and we provide the necessary support in terms of payment, service and spare parts after sales.
How would you evaluate the Silmo Istanbul Optical Fair, which was held for the 10th time with its new and larger service area, from the beginning to today as an exhibitor company?
Silmo Istanbul Optical Fair has become the meeting point of the Turkish optical sector by raising the bar of success since the year it was organised and has managed to be among the top 5 optical fairs in the world. This is really a great success. I sincerely congratulate the entire Silmo Istanbul family who contributed to this success. In 2023, we, as Sarpa Optik, took our place as an exhibitor company in Silmo Istanbul Optical Fair for the first time when it was held for the 10th time in new and larger halls. The fair was great for us. It was amazing to meet our business partners, meet new customers and experience that atmosphere. I wish the success of Silmo Istanbul Optical Fair will continue to increase and I would like to express that we will be happy to be a part of it.

Thank you very much for this great interview. Finally, could we learn your views on the evolution of our magazine 4 your eyes to digital publishing?
Obviously, as in every sector, it is very important to have a magazine or even multiple magazines in our sector in order to learn information from the real source. Before, we used to follow every edition of the magazine and learn a lot of information from there, but now the world is digitalising and many magazines have been digitalised both in the world and in our country. Therefore, we now enjoy every time 4 your eyes is published and we get a lot of information. I congratulate you for this beautiful work you have done and I believe that you will continue to do it in the best way. On behalf of myself and my company, I would like to thank you very much for including me and my company in this interview.

April 2024

Alexander Wintsch

Retro Charm

Our presence at Silmo İstanbul provides us with valuable opportunities to connect with professionals, while gaining insights into the evolving trends and preferences of the Turkish market.

Alexander Wintsch, was born in Barcelona in 1958. He spent most of his childhood living in the Swiss Alps, where his mother, Mireya Wintsch, was originally from. She was a pillar and a fundamental figure in his life. She taught him the value of discipline, effort, perseverance, and above all, her passion for the mountains and skiing. He started, with the help of his father, with whom he opened his first eyewear company in Madrid. From his father, he inherited his innovative and entrepreneurial spirit, which helped him create his first collections. Mireya Wintsch used to tell him stories of her travels, as she worked as a flight attendant, which allowed her to meet various cultures and people who inspired her. With each trip, a new collection was born in honor of his mother’s memories. Hence, each model was named after a different imposing mountain. Now, it is none other than Alexander Wintsch’s daughter who preserves this special heritage and carries it into the future. We present our exclusive interview with Marta Llopis, International Director and Creative Director of Alexander Wintsch, one of the important players in the global optical industry.

You became the Director and Creative Director of this well-established brand by embracing the legacy of your designer father Alexander Wintsch. Could you tell us about how your career was shaped? How did your interest in design begin?
I attended IE University in Madrid, where I pursued a degree in Business Administration. While my focus was on business studies, IE is widely recognized for its emphasis on technology and innovation. It was during my time there that I developed a keen interest in the intersection of innovation, design, and business. My father is the most creative person I know. With over 40 years of experience designing for numerous brands, he introduced me to the world of eyewear design. His influence on me has been profound; from a very young age, I accompanied him to his office, where I would play with colorful acetates and witness the creative process firsthand. Upon completing my degree, I fully immersed myself in his career. One of the most valuable lessons I learned from him is the importance of discovering and collaborating with new suppliers. We frequently travel to different countries to source the finest materials, ensuring that our creations are truly unique. The impact of my father’s guidance and mentorship on my life cannot be overstated. He has not only shared his passion for design with me but also encouraged me to explore my own creativity and voice.
What would you like to say about Alexander Wintsch’s design language? How does it differ from other brands at this point?
Alexander Wintsch’s design language is a unique blend of tradition and innovation, standing out for its elegant and timeless style. Rooted in family heritage, Wintsch’s creations capture enduring elegance while incorporating fresh, innovative elements. This balance resonates with authenticity and excellence, appealing to clients who value both tradition and modernity. Wintsch’s attention to detail and commitment to sharing family tradition ensure each piece is a tribute to the past and a glimpse into the future, creating a lasting connection with discerning clientele.

What are your sources of inspiration for your collections? Do your inspirations differ in each new collection?
There are two main sources of inspiration that accompany our brand: the family legacy and market trends. The value that underpins our brand is rooted in our family legacy, particularly inspired by my grandmother and my father’s childhood. My grandmother was a remarkable woman, ahead of her time and remarkably courageous. All these elements are imbued within the collections we design. We strive to infuse our collections with meaning through Swiss values and culture. To achieve this, whenever we travel to Switzerland, we seek inspiration, as seen in our latest Davos collection. Another clear source of inspiration is international trade fairs, where our team of designers regularly attends to capture new trends, colors, and materials. Additionally, visiting the factories we collaborate with is fundamental. What is offered to you versus what you see can often be two different things.
Could you tell us about the characteristic structure of the brand’s famous Icon collection? Will this exclusive series expand with new models?
The idea behind the Icon collection is to maintain the best-selling models over time or to create unique and retro models that do not follow market trends but rather serve as a symbol of our brand. Yes, we will definitely expand it over time with new special models that have a strong brand identity.
Your latest Davos collection has striking details that stand out. Could you tell us about the characteristics of Davos?
Our latest Davos collection is a testament to our commitment to introducing capsule collections that maintain the essence of our Swiss inspiration. This year, we’re excited to debut two capsule collections: Davos and Arosa. Davos, named after the picturesque ski town in Switzerland where winter sports competitions are highly popular, embodies a retro aesthetic with unique hinge details and bamboo temples. Crafted with meticulous attention to detail, this capsule collection draws inspiration from the exhilarating world of winter sports, including slalom, snowboarding, and ski jumping. Each frame features special touches such as pin terminals, intricately engraved temples, and subtle embellishments on the front, all crafted from eco-acetate materials. In September, we’ll be launching the Arosa collection, inspired by another charming Swiss ski village where we often spend our holidays. This exclusive collection will feature frames crafted from titanium, offering a luxurious and durable option for eyewear enthusiasts.
Which are the most special designs for you at Alexander Wintsch and why?
The most special designs for us at Alexander Wintsch undoubtedly reside in the Icon collection. The most iconic ones are the AW6145 Sulegg and AW6144 Grunhorn. We’re constantly working to develop more lines inspired by these two models. However, our designer Alexander’s personal favorite is the women’s model, AW20155 Bernnina.
You are represented in Turkey through your distributorship. What could you say about the contributions of this co-operation to the Alexander Wintsch brand?
We are very pleased to have Optiser as our exclusive distributor in Turkey. It was during my first visit to the Silmo Paris fair when curious individuals approached our stand. They were seeking a retro brand that stood out from others in the market and were drawn to us, even with a small, tucked-away booth. Thanks to them, the brand has not only grown in Turkey but also internationally. They instilled confidence in me that the brand could become significant. Today, we are represented in more than 15 countries, but undoubtedly, the best representation is in Turkey. They share our values of tradition, family, and fashion. Additionally, in Turkey, they have exclusive models tailored for the market and always stay ahead with the latest trends.
As one of the brands represented at the Silmo Istanbul Optical Fair in Turkey, how would you evaluate the fair and your presence in the geography reached by the fair?
We are honored to be part of such a significant event, like Silmo İstanbul Optical Fair, for our brand. Having personally attended the fair, I’ve witnessed its effectiveness in representing our brand and showcasing our latest collections. The fair’s management team does an excellent job in this regard. Our presence at the fair provides us with valuable opportunities to connect with industry leaders and potential customers, while also gaining insights into the evolving trends and preferences of the Turkish market. Given Turkey’s status as a rapidly expanding market, participating in this fair allows us to capitalize on growth opportunities and strengthen our brand presence in this region.

April 2024

Rita Ora

Rita Ora

Isabel Marant

Rita Ora, the world-famous British singer and songwriter of Albanian origin, continues her concerts without a break. Photographed in Paris, Rita completed her style with Isabel Marant sunglasses.

April 2024

Reese Witherspoon

Reese Witherspoon

Fendı

Reese Witherspoon, who we saw in black elegance and nobility at an event she attended with her daughter Ava, crowned her elegant style with a pair of sunglasses designed by Fendi.

April 2024

Paris Hilton

Paris Hilton

Burberry

Paris Hilton, whom we are accustomed to seeing in glittery costumes and make-up, was photographed with her Daily outfit while shopping this time. Hilton’s sunglasses are a pair of Burberry.

April 2024

Naomi Watts

Naomi Watts

Karen Wazen

American actress Naomi Watts is photographed by paparazzi at the exit of the restaurant just after having dinner with her friends. Naomi  Watts’ Karen Wazen sunglasses catch the eye.

April 2024

Millie Bobby Brown

Millie Bobby Brown

Lu Goldıe

Millie Bobby Brown, who has made a name for herself these days with her latest film Damsel, which was recently released on Netflix, looks nice with minimal sunglasses designed by Lu Goldie.

April 2024

Miley Cyrus

Miley Cyrus

Dolce&Gabbana

American singer Miley Cyrus looks extremely charming and stylish with Dolce&Gabbana’s new season sunglasses, which she often prefers for her daily outfits and also for stage costumes.

April 2024